关于此电子书
The enchantment of the figure of the "male dan" – female impersonator – remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of cross-dressing Chinese opera have yet to be examined in-depth. In order to discuss "mistaken identity" and gender issues as they relate to cross-dressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture.
作者简介
Siu Leung Li is an Associate Professor of Cultural Studies at Lingnan University, Hong Kong. He received his doctorate in Comparative Literature from the University of Massachusetts Amherst and was Joukowsky postdoctoral fellow at Brown University. Returning to post-handover Hong Kong in 1998, he first joined the Humanities Division at the Hong Kong University of Science and Technology. Crossing over from comparative literature to cultural studies via the interfacing of postmodern and postcolonial criticism, he has published on Hong Kong popular culture and film, Chinese drama and comparative literary studies.
Siu Leung Li is Associate Professor of Cultural Studies at Lingnan University, Hong Kong.
为此电子书评分
欢迎向我们提供反馈意见。
如何阅读
智能手机和平板电脑
笔记本电脑和台式机
您可以使用计算机的网络浏览器聆听您在 Google Play 购买的有声读物。
电子阅读器和其他设备
如果要在 Kobo 电子阅读器等电子墨水屏设备上阅读，您需要下载一个文件，并将其传输到相应设备上。若要将文件传输到受支持的电子阅读器上，请按帮助中心内的详细说明操作。
