David Morrell, an award-winning Canadian writer of horror fiction, was born in 1943 in Kitchener, Ontario, Canada. He was educated at the University of Waterloo and earned his Ph.D. from Pennsylvania State University. Morrell is best known as the creator of John Rambo, the hero of his first novel, First Blood. The novel was adapted for screen and starred Sylvester Stallone. Although Morrell was not happy with the depiction of the Rambo character in the movie, he did write several sequels to First Blood and two further scripts for the sequels to the original movie. He also wrote a number of other books including The Brotherhood of the Rose which became a best seller in 1984. David Morrell has written one scholarly work, John Barth: An Introduction, published by Pennsylvania State University in 1977 and has taught at the University of Iowa. He now lives in the United States with his wife and daughter (another child, a son, is deceased).
The five people are "creepers," the slang term for urban explorers: city archeologists with a passion for investigating abandoned buildings and their dying secrets. On this evening, they are joined by a reporter who wants to profile them—anonymously, as this is a highly illegal activity—for a New York Times article.
Frank Balenger isn't looking for just a story, however. And after the group enters the rat-infested tunnel leading to the hotel, it becomes clear that he will get much more than he bargained for. Danger, terror, and death await the creepers in a place ravaged by time and redolent of evil.
The darkest secrets live in places you’re not supposed to be.
“Chilling.” —Stephen King, New York Times bestselling author of Doctor Sleep
“Crack this novel, and it’s like an alien abduction of your brain—forget resuming your normal life until it’s finished. This will be a classic.”—Douglas Preston, New York Times bestselling co-author (with Lincoln Child) of White Fire
“With its nonstop cascade of ingeniously contrived dangers and assaults, culminating in an apocalyptic finale, Creepers provides the essence of all thrillers, an intense emotional effect that will leave readers drained.”—Washington Post