The Waterfront Journals
Jun 2014 · Open Road Media
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131
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About this ebook
Voices from the margins of American life tell tales of trickery, betrayal, sex, and defeat in these short monologues by “a spokesman for the unspeakable” (New York magazine).
In his full but regrettably brief lifetime, David Wojnarowicz was many things: a visual and performance artist whose radical work incensed the right-wing establishment, a tireless AIDS and anticensorship activist, and, most emphatically, a writer. His Waterfront Journals are a remarkable collection of fictionalized stories spoken in the voices of unforgettable characters the author met during his time spent living on America’s streets and traveling her back roads. The narrators speak from the heart and from the depths of despair, creating an often shocking and powerfully moving mosaic of life in the shadows.
Here are junkies and boy hustlers, truckers and hoboes. A runner tells of his encounter with two drug-using priests who openly and proudly discuss their various sexual exploits. Whores tell of johns who brutalized them and corrupt cops who did the same. A young man relays his tale of a seedy movie balcony pickup and his shocking discovery that his “date” was not who she seemed. Another man describes sex with an amputee Vietnam veteran. Each of their stories stuns with hard and haunting truths that will leave the reader staggered and breathless, yet exhilarated.
From a Lambda Literary Award winner and the subject of a new documentary by Chris McKim, these are “dispatches from that region of dissolute grace at the city’s edge” (Time Out New York).
In his full but regrettably brief lifetime, David Wojnarowicz was many things: a visual and performance artist whose radical work incensed the right-wing establishment, a tireless AIDS and anticensorship activist, and, most emphatically, a writer. His Waterfront Journals are a remarkable collection of fictionalized stories spoken in the voices of unforgettable characters the author met during his time spent living on America’s streets and traveling her back roads. The narrators speak from the heart and from the depths of despair, creating an often shocking and powerfully moving mosaic of life in the shadows.
Here are junkies and boy hustlers, truckers and hoboes. A runner tells of his encounter with two drug-using priests who openly and proudly discuss their various sexual exploits. Whores tell of johns who brutalized them and corrupt cops who did the same. A young man relays his tale of a seedy movie balcony pickup and his shocking discovery that his “date” was not who she seemed. Another man describes sex with an amputee Vietnam veteran. Each of their stories stuns with hard and haunting truths that will leave the reader staggered and breathless, yet exhilarated.
From a Lambda Literary Award winner and the subject of a new documentary by Chris McKim, these are “dispatches from that region of dissolute grace at the city’s edge” (Time Out New York).
About the author
David Wojnarowicz was born in Red Bank, New Jersey, in 1954, and first gained notice in New York’s East Village art scene in the 1970s. He rose to fame for his exceptional range, intelligence, and passion, and by the 1980s had become one of the most provocative artists of his generation. In the years before his death in 1992 from AIDS-related complications, he worked tirelessly as an AIDS activist and anticensorship advocate.
In 1985, Wojnarowicz brought his fight for freedom of expression to the case of David Wojnarowicz v. American Family Association, in which Donald E. Wildmon claimed that Wojnarowicz’s work was pornographic and undermined family values. Wojnarowicz won and was awarded a symbolic dollar. He was thrust back into the spotlight in 2010, at the center of a censorship battle over the National Portrait Gallery’s exhibition Hide/Seek: Difference and Desire in American Portraiture. In 2012, Cynthia Carr published the critically acclaimed biography Fire in the Belly: The Life and Times of David Wojnarowicz.
In 1985, Wojnarowicz brought his fight for freedom of expression to the case of David Wojnarowicz v. American Family Association, in which Donald E. Wildmon claimed that Wojnarowicz’s work was pornographic and undermined family values. Wojnarowicz won and was awarded a symbolic dollar. He was thrust back into the spotlight in 2010, at the center of a censorship battle over the National Portrait Gallery’s exhibition Hide/Seek: Difference and Desire in American Portraiture. In 2012, Cynthia Carr published the critically acclaimed biography Fire in the Belly: The Life and Times of David Wojnarowicz.
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