Doctor Pascal

· Rougon-Macquart Գիրք 20 · Mondial
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Doctor Pascal Rougon, a medical man at Plassans and a distin-guished student of heredity, had brought up his niece Clotilde (daughter of Aristide Rougon alias Saccard) from childhood. Years afterwards they found that they passionately loved one another... His mother, Felicite Rougon, who feared that his researches on heredity might bring scandal on the family, burned all his papers, and in one hour destroyed the work of a lifetime... A child was born to Clotilde, a child which Pascal intensely desired, in the hope that through it might come the regeneration and rejuvenation of his race... The story in the book is both simple and sad. (J. G. Patterson) --- Pascal's works on the members of his family is, in small, what I have attempted to do on humanity, to show all so that all may be cured. It is not a book which, like La Debacle, will stir the passions of the mob. It is a scientific work, the logical deduction and conclusion of all my preceding novels, and at the same time it is my speech in defence of all that I have done before the court of public opinion. (Emile Zola)

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Zola was the spokesperson for the naturalist novel in France and the leader of a school that championed the infusion of literature with new scientific theories of human development drawn from Charles Darwin (see Vol. 5) and various social philosophers. The theoretical claims for such an approach, which are considered simplistic today, were outlined by Zola in his Le Roman Experimental (The Experimental Novel, 1880). He was the author of the series of 20 novels called The Rougon-Macquart, in which he attempted to trace scientifically the effects of heredity through five generations of the Rougon and Macquart families. Three of the outstanding volumes are L'Assommoir (1877), a study of alcoholism and the working class; Nana (1880), a story of a prostitute who is a femme fatale; and Germinal (1885), a study of a strike at a coal mine. All gave scope to Zola's gift for portraying crowds in turmoil. Today Zola's novels have been appreciated by critics for their epic scope and their visionary and mythical qualities. He continues to be immensely popular with French readers. His newspaper article "J'Accuse," written in defense of Alfred Dreyfus, launched Zola into the public limelight and made him the political conscience of his country.

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