Dragonclaw: Book 1, The Witches of Eileanan: A dark fantasy series

· Random House Australia
4,8
24 avis
E-book
546
Pages

À propos de cet e-book

Since the Day of Reckoning witches and magic have been outlawed on Eileanan. The great towers, once centres of learning, are now abandoned ruins. The penalty for practising witchcraft is death. Yet the Lodestar still calls to the Rìgh, king of Eileanan, making him uneasy. And there are those determined to restore witches and their craft to their rightful place in Eileanan.

In a hidden valley deep in the mountains, in the shadow of the peak of Dragonclaw, Isabeau the foundling grows to womanhood in the care of Meghan, an old wood witch. Meghan can call animals to her hand and knows the secrets of herb-lore. But Isabeau dreams of adventure . . .

Carrying a magic talisman that contains the last hopes of the persecuted witches, Isabeau is hunted through the land by the evil Banrìgh. Meanwhile the sea-dwelling Fairgean stir, children mysteriously disappear in the night, and Isabeau's guardian climbs Dragonclaw to seek guidance from the most ancient and dangerous wisdom in the land . . .

Dragonclaw is the first book in the series The Witches of Eileanan.

Notes et avis

4,8
24 avis

À propos de l'auteur

Dr Kate Forsyth is an award-winning author, poet, and storyteller. Her most recent novel is
The Crimson Thread, a reimagining of ‘The Minotaur in the Labyrinth’ myth set in Crete during the Nazi invasion and occupation of World War II.

Other historical novels include Beauty in Thorns, a reimagining of ‘Sleeping Beauty’ told in the voices of four women of the Pre-Raphaelite circle of artists and poets; The Wild Girl, the story of the forbidden romance behind the Grimm brothers’ fairy tales which was named Most Memorable Love Story of 2013; and Bitter Greens, a retelling of ‘Rapunzel’ which won the 2015 American Library Association award for Best Historical Fiction.

Kate has a Doctorate of Creative Arts in fairy tale studies, and is also an accredited master storyteller with the Australian Guild of Storytellers. She has taught writing retreats in Australia, Fiji, Greece, and the United Kingdom.

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