About this ebook
Daisy Hanbury poked her parasol between the bars of the cage, with the amiable intention of scratching the tiger's back. The tiger could not be expected to know this all by himself, and so he savagely bit the end of it off, with diabolical snarlings. Daisy turned to her cousin with a glow of sympathetic pleasure.
"What a darling!" she said. "He didn't understand, you see, and was perfectly furious. And it cost pounds and pounds, and I've spent all my allowance, and so I can't buy another, and my complexion will go to the dogs. Let's go there, too; the dingoes are absolutely fascinating. We'll come back to see these angels fed."
Gladys laughed.
"Daisy, you have got the most admirable temper," she said. "I should have called that brute any names except 'darling' and 'angel.'"
"I know you would, because you don't understand either it or me. I understand both perfectly. You see, you don't love fierce wild things--things that are wicked and angry, and, above all, natural. I don't mind good, sweet, gentle things, like--oh, like almost everybody, if only they are sweet and good naturally. But generally they are not. Their sweetness is the result of education or morality, or something tedious, not the result of their natures, of themselves. Oh, I know all about it! Gladys, this parasol is beyond hope. Let's conceal it in the bushes like a corpse."
Daisy looked round with a wild and suspicious eye.
Ratings and reviews
About the author
Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
