Miss Mapp: Top Novelist Focus
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I lingered at the window of the garden-room from which Miss Mapp so often and so ominously looked forth. To the left was the front of her house, straight ahead the steep cobbled way, with a glimpse of the High Street at the end, to the right the crooked chimney and the church.
The street was populous with passengers, but search as I might, I could see none who ever so remotely resembled the objects of her vigilance.
E. F. BENSON.
Lamb House, Rye.
Printed in Great Britain.
Chapter I
Miss Elizabeth Mapp might have been forty, and she had taken advantage of this opportunity by being just a year or two older. Her face was of high vivid colour and was corrugated by chronic rage and curiosity; but these vivifying emotions had preserved to her an astonishing activity of mind and body, which fully accounted for the comparative adolescence with which she would have been credited anywhere except in the charming little town which she had inhabited so long. Anger and the gravest suspicions about everybody had kept her young and on the boil.
She sat, on this hot July morning, like a large bird of prey at the very convenient window of her garden-room, the ample bow of which formed a strategical point of high value. This garden-room, solid and spacious, was built at right angles to the front of her house, and looked straight down the very interesting street which debouched at its lower end into the High Street of Tilling. Exactly opposite her front door the road turned sharply, so that as she looked out from this projecting window, her own house was at right angles on her left, the street in question plunged steeply downwards in front of her, and to her right she commanded an uninterrupted view of its further course which terminated in the disused graveyard surrounding the big Norman church. Anything of interest about the church, however, could be gleaned from a guide-book, and Miss Mapp did not occupy herself much with such coldly venerable topics. Far more to her mind was the fact that between the church and her strategic window was the cottage in which her gardener lived, and she could thus see, when not otherwise engaged, whether he went home before twelve, or failed to get back to her garden again by one, for he had to cross the street in front of her very eyes.
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About the author
Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
