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THE garden lay dozing in the summer sun, a sun, too, that was really hot and luminous, worthy of mid-June, and Philip Home had paid his acknowledgments to its power by twice moving his chair into the shifting shade of the house, which stood with blinds drawn down, as if blinking in the brightness. Somewhere on the lawn below him, but hidden by the flower-beds of the terraced walk, a mowing-machine was making its clicking journeys to and fro, and the sound of it seemed to him to be extraordinarily consonant to the still heat of the afternoon. Entirely in character also with the day was the light hot wind that stirred fitfully among the garden beds as if it had gone to sleep there, and now and then turned over and made the flowers rustle and sigh. Huge Oriental poppies drooped their scarlet heads, late wall-flowers still sent forth their hot, homely odour, peonies blazed and flaunted, purple irises rivalled in their fading glories the budding stars of clematis that swarmed up the stone vases on the terrace, golden rain showered from the laburnums, lilacs stood thick in fragrant clumps and clusters. Canterbury bells raised spires of dry, crinkly blue, and forget-me-nots—nearly over—made a dim blue border to the glorious carpet of the beds. For the warm weather this year had come late but determinedly, spring flowers still lingered, and the later blossoms of early summer had been forced into premature appearance. This fact occupied Philip at this moment quite enormously. What would the garden be like in July? There must come a break somewhere, when the precious summer flowers were over, and before the autumn ones began.
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About the author
Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
