Empire: The Novel of Imperial Rome

Steven Saylor

Aug 2010 · Sold by St. Martin's Press

About this eBook

"May Steven Saylor's Roman empire never fall. A modern master of historical fiction, Saylor convincingly transports us into the ancient world...enthralling!" —USA Today on Roma

Continuing the saga begun in his New York Times bestselling novel Roma, Steven Saylor charts the destinies of the aristocratic Pinarius family, from the reign of Augustus to height of Rome's empire. The Pinarii, generation after generation, are witness to greatest empire in the ancient world and of the emperors that ruled it—from the machinations of Tiberius and the madness of Caligula, to the decadence of Nero and the golden age of Trajan and Hadrian and more.

Empire is filled with the dramatic, defining moments of the age, including the Great Fire, the persecution of the Christians, and the astounding opening games of the Colosseum. But at the novel's heart are the choices and temptations faced by each generation of the Pinarii.

Steven Saylor once again brings the ancient world to vivid life in a novel that tells the story of a city and a people that has endured in the world's imagination like no other.

Ratings and reviews

Having read all the Sub Roma books, I enjoyed the combination of who dunit and history. Empire was very disappointing. Just a lot of name dropping of famous romans. Saylor seems to have reverted to his former genre of gay erotica. We know that the Romans had a taste for what I consider deviant sexual preferences, but I don't need to read about them on every other page. If you enjoy sex with young boys and eunuchs, you may enjoy this book. I found it way too much!

"Empire" is Steven Saylor's highly anticipated follow up to his centuries-spanning historical fiction saga, "Roma". Both books trace the ancestral evolution of the Pinarii family as they bear witness to the foundation and growth of Rome and its Empire. "Roma" covered the earliest foundations of Rome through the civil wars, while "Empire" picks up at the end of the reign of Augustus in 14 A.D. through the reign of Hadrian in 141. Roman history is made up of fact, rumor, and myth, and Saylor hits on all of those elements in "Empire". Each of four chapters tells a discrete and self-contained story set during key moments in the real or mythological history of Rome involving both fictional and non-fictional characters and events. Saylor uses the Pinarii like stepping stones across a stream of time; each stone provides just enough footing to propel the reader onto the next rock of time. The chapters place a different Pinarii generation under the spotlight and provide enough drama to fill an entire book in itself. The chapters are highlight reels of their respective periods. In the early years, Saylor gives glimpses of Livia's evil which is very reminiscent of the Livia from "I, Claudius". He opens a window on Tiberius's sadistic hideaway on an island off the coast of Italy where he purportedly kept young boys for his own pleasure. The second chapter runs the gamut of Caligula's psychoses and Claudius' dramatically failed marriages. Readers also get a surprisingly poignant portrayal of Nero "fiddling" while Rome burns. In the third chapter, Saylor provides a historical discourse that includes the explosion of Mt. Vesuvius, the history of the development of the Flavian Amphitheater (known now as The Colosseum), and the rise and fall of the Flavian Emperors. In the final chapter, Saylor takes readers to the building of Trajan's column and the Pantheon and gives an all too brief glimpse of the philosopher-emperor Hadrian. The biggest frustration with "Empire" is the vastly inconsistent development of Saylor's primary characters. The Pinarii are like castles made with wet sand. Just as they gain a bit of definition, substance and depth, they either fall apart or are washed away. It's almost as if in trying to hit all events in a given era, none are enough of a focus to allow time for the solid development of members of the Pinarii clan. I felt very little emotional pull towards the members of the family, neither particularly liking nor disliking any of them. This void of raw human drama significantly reduces the cohesion of each generational chapter and no amount of historical activity is able to overcome that vacuum. The strongest character in the book is Emperor Nero whom Saylor paints as a subdued version of any Nathan Lane character. Nero ranges from sadistic to dramatic to regal to shockingly out-of-touch-with-reality. Though his end is predictably tragic, Nero and his era are the most interestingly interpreted. I have a bit of a bias towards Hadrian, but Saylor also did a fine job representing the erudite, introspective, and insecure monument-building Emperor. Saylor's dialogue often feels stilted, unnatural, and boring when used to provide historical background, whereas his integration of history and fiction works well while events are actually taking place. The most awkward moments come during a series of dialogues providing background on Rome during the reign of the Flavian Emperors. In some cases, Saylor uses this approach to set up future scenes; in others, it's as if he's trying to shoehorn in as much history as possible. Saylor doesn't go for the Hollywood endings when it comes to the Pinarii, and I enjoy his sense of tragedy. Without giving too much away, the Pinarii clan is admirably (yet naively) staunch in their loyalty to their Emperors and friends, and it's enjoyable to be spectator to the historical train-wreck of such an amazingly varied group of personalities

About the author

Steven Saylor is the author of the long running Roma Sub Rosa series featuring Gordianus the Finder, as well as the New York Times bestselling novel, Roma. He has appeared as an on-air expert on Roman history and life on The History Channel. Saylor was born in Texas and graduated with high honors from The University of Texas at Austin, where he studied history and classics. He divides his time between Berkeley, California, and Austin, Texas.