Encore: A Journal of the Eightieth Year
08/2015 · Open Road Media
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The bestselling author and newly minted octogenarian “demonstrates that old age can be a vibrant and liberating experience . . . fearless and triumphant” (Publishers Weekly).
On the second day of her 80th year, May Sarton began a new journal. She wrote it because she wanted “to go on a little while longer;” to discover “what is really happening to me.”
This triumphant sequel to Endgame—Sarton’s journal of her 79th year—is filled with the comforting minutiae of daily life, from gardening to planning dinners and floral arrangements to answering fan mail. The wonderful thing about getting older, Sarton writes, is “the freedom to be absurd, the freedom to forget things . . . the freedom to be eccentric.” Her other octogenarian pleasures include preparing for holidays and weddings, lunches with old friends and new admirers, the heady delight of critical recognition, and the rebirth of her lyric voice as she creates new poems. Yet Sarton knows that age can also bring pain and ill health, as well as a deepening awareness of the “perilousness of life on all sides, knowing that at any moment something frightful may happen.”
On the second day of her 80th year, May Sarton began a new journal. She wrote it because she wanted “to go on a little while longer;” to discover “what is really happening to me.”
This triumphant sequel to Endgame—Sarton’s journal of her 79th year—is filled with the comforting minutiae of daily life, from gardening to planning dinners and floral arrangements to answering fan mail. The wonderful thing about getting older, Sarton writes, is “the freedom to be absurd, the freedom to forget things . . . the freedom to be eccentric.” Her other octogenarian pleasures include preparing for holidays and weddings, lunches with old friends and new admirers, the heady delight of critical recognition, and the rebirth of her lyric voice as she creates new poems. Yet Sarton knows that age can also bring pain and ill health, as well as a deepening awareness of the “perilousness of life on all sides, knowing that at any moment something frightful may happen.”
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May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetrycollection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetrycollection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
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