Fairy and Folk Tales of the Irish Peasantry: Top Irish Collections

· Top Irish Collections Bók 2 · 谷月社
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INTRODUCTION.

Dr. Corbett, Bishop of Oxford and Norwich, lamented long ago the departure of the English fairies. "In Queen Mary's time" he wrote—


"When Tom came home from labour, Or Cis to milking rose, Then merrily, merrily went their tabor, And merrily went their toes."

But now, in the times of James, they had all gone, for "they were of the old profession," and "their songs were Ave Maries." In Ireland they are still extant, giving gifts to the kindly, and plaguing the surly. "Have you ever seen a fairy or such like?" I asked an old man in County Sligo. "Amn't I annoyed with them," was the answer. "Do the fishermen along here know anything of the mermaids?" I asked a woman of a village in County Dublin. "Indeed, they don't like to see them at all," she answered, "for they always bring bad weather." "Here is a man who believes in ghosts," said a foreign sea-captain, pointing to a pilot of my acquaintance. "In every house over there," said the pilot, pointing to his native village of Rosses, "there are several." Certainly that now old and much respected dogmatist, the Spirit of the Age, has in no manner made his voice heard down there. In a little while, for he has gotten a consumptive appearance of late, he will be covered over decently in his grave, and another will grow, old and much respected, in his place, and never be heard of down there, and after him another and another and another. Indeed, it is a question whether any of these personages will ever be heard of outside the newspaper offices and lecture-rooms and drawing-rooms and eel-pie houses of the cities, or if the Spirit of the Age is at any time more than a froth. At any rate, whole troops of their like will not change the Celt much. Giraldus Cambrensis found the people of the western islands a trifle paganish. "How many gods are there?" asked a priest, a little while ago, of a man from the Island of Innistor. "There is one on Innistor; but this seems a big place," said the man, and the priest held up his hands in horror, as Giraldus had, just seven centuries before.


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William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923, he was awarded the Nobel Prize in Literature as the first Irishman so honoured for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929).

Yeats was a very good friend of American expatriate poet and Bollingen Prize laureate Ezra Pound.

Yeats wrote the introduction for Rabindranath Tagore's Gitanjali, which was published by the India Society.

William Butler Yeats was born in Sandymount, Ireland and educated there and in London; he spent his childhood holidays in County Sligo. He studied poetry in his youth and from an early age was fascinated by both Irish legends and the occult. Those topics feature in the first phase of his work, which lasted roughly until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display Yeats's debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood. From 1900, Yeats's poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life.

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