Faithful Are the Wounds: A Novel

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A professor’s suicide is the catalyst for this novel about politics and ideals set at Harvard during the 1950s

When Harvard professor Edward Cavan commits suicide by throwing himself under a subway train, his death sets off shock waves both across campus and in the hearts of his loved ones. To Edward’s estranged sister, Isabel, her brother represented the dangers she sought to escape through the security of marriage. His student George Hastings saw in Edward the father he wished he had. Damon Phillips shared Edward’s idealistic beliefs —until his fear of being branded a Communist caused him to betray his friend. And Ivan Goldberg knew Edward as a man who would rather die than compromise his beliefs. Through the eyes of those he touched, Edward comes alive again, and we begin to understand who he is and what he stands for.
 
With a title that is a metaphor for the embattled lives of 1950s liberals, Faithful Are the Wounds is about what it means to be American and human in a world that can affect us on the most profound spiritual and ideological levels. It is about how much we are willing to sacrifice for our freedom, and what happens when our values are destroyed.

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May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
 
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her memoir Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetrycollection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.

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