Family Happiness and Other Stories

Leo Tolstoy

thg 3 2012 · Courier Corporation

Giới thiệu về sách điện tử này

Although best known for War and Peace and Anna Karenina, Leo Tolstoy did not confine his literary talents to voluminous works. He was also a master of the short story and the long story — the particularly Russian form known as povest'. Each of the tales in this collection exhibits the rich detail, vivid narration, and startling truths that characterize Tolstoy's famous novels.
Two unusual, intriguing short stores — "Three Deaths" and "The Three Hermits" — appear here, along with four powerful long stories: "Family Happiness," "The Devil," "Father Sergius," and "Master and Man." "Family Happiness," the first story in this compilation, features a Tolstoyan theme that recurs both here and elsewhere in the author's writings: "The only certain happiness in life is to live for others." Written over a period of 40 years or more, these works display the author's evolving perspectives on love, marriage, art, politics, and patriotism. They offer an eclectic introduction to the great Russian writer's fiction as well as a feast for those already acquainted with the pleasures of reading Tolstoy.

Giới thiệu tác giả

Tolstoy's life was defined by moral and artistic seeking and by conflict with himself and his surroundings. Of the old nobility, he began by living the usual, dissipated life of a man of his class; however, his inner compulsion for moral self-justification led him in a different direction. In 1851 he became a soldier in the Caucasus and began to publish even while stationed there (Childhood [1852] and other works). Even more significant were his experiences during the Crimean War: the siege of Sevastopol provided the background for his sketches of human behavior in battle in the Sevastopol Stories (1855--56). After the war, Tolstoy mixed for a time with St. Petersburg literary society, traveled extensively abroad, and married Sophia Bers. The couple were happy for a long time, with Countess Tolstoy participating actively in her husband's literary and other endeavors. The center of Tolstoy's life became family, which he celebrated in the final section of War and Peace (1869). In this great novel, he unfolded the stories of several families in Russia during the Napoleonic period and explored the nature of historical causation and of freedom and necessity. A different note emerged in Anna Karenina (1876). Here, too, Tolstoy focused on families but this time emphasized an individual's conflict with society's norms. A period of inner crisis, depression, and thoughts of suicide culminated in Tolstoy's 1879 conversion to a rationalistic form of Christianity in which moral behavior was supremely important. Confession (1882) describes this profound transition. Tolstoy now began to proselytize his new-found faith through fiction, essays, and personal contacts. Between 1880 and 1883, he wrote three major works on religion. A supreme polemicist, he participated in debates on a large number of political and social issues, generally at odds with the government. His advocacy of nonresistance to evil attracted many followers and later had a profound influence on Mahatma Gandhi and, through him, Martin Luther King, Jr. (see Vol. 4). Tolstoy's stature as a writer and public figure was enormous both within Russia and abroad, greater than that of any other Russian writer. When the Orthodox Church excommunicated him in 1901, a cartoon depicted him as disproportionately larger than his ecclesiastical judges. Tolstoy's final years were filled with inner torment: Living as he did on a luxurious estate, he felt himself to be a betrayer of his own teachings. He also suffered from disputes with his wife over the disposition of his property, which she wished to safeguard for their children. In 1910, desperately unhappy, the aged writer left his home at Yasnaya Polyana. He did not get far; he caught pneumonia and died of heart failure at a railway station, an event that was headline news throughout the world. In the course of Tolstoy's career, his art evolved significantly, but it possessed a certain underlying unity. From the beginning, he concentrated on the inner life of human beings, though the manner of his analysis changed. The body of his writing is enormous, encompassing both fiction and a vast amount of theoretical and polemical material. Besides his three great novels---War and Peace, Anna Karenina, and Resurrection (1899)---he wrote many superb shorter works. Among these, The Death of Ivan Ilyich (1886) stands out as a literary masterpiece and fine philosophical text, while the short novel Hadji Murat (1904), set in the Caucasus and Russia during the reign of Nicholas I, is a gem of narration and plot construction. Tolstoy has been translated extensively. The Louise and Aylmer Maude and Constance Garnett translations are institutions (for many works, the only versions available) and are used by different publishers, sometimes in modernized versions. New translations by Rosemary Edmonds, David Magarshack, and Ann Dunigan are also justifiably popular.