Fi: A Memoir of My Son
Um þessa rafbók
“A mesmeric celebration of a boy who died too soon, a mother’s love and her resilience. It will help others surviving loss — surviving life.” — David Sheff, New York Times
“Fair to say, I was in a ribald state the summer before my fiftieth birthday.” And so begins Alexandra Fuller’s open, vivid new memoir, Fi. It’s midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel.
And then – suddenly and incomprehensibly - her son Fi, at 21 years old, dies in his sleep.
No stranger to loss - young siblings, a parent, a home country - Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers – in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.
Um höfundinn
Alexandra Fuller is the author of four memoirs, including Don’t Let’s Go To The Dogs Tonight– a New York Times Notable Book for 2002, the 2002 Booksense Best Non-fiction book, a finalist for the Guardian’s First Book Award and the winner of the 2002 Winifred Holtby Memorial Prize – and the New York Times-bestselling Cocktail Hour Under the Tree of Forgetfulness, two books of non-fiction, and the novel Quiet Until The Thaw. Her writing has appeared in the New Yorker, National Geographic, Granta, The New York Times, Guardian and Financial Times.
