The Masterpiece: A Novel

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In her latest captivating novel, nationally bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.

For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.

For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.

Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.
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About the author

Fiona Davis is the nationally bestselling author of The Dollhouse and The Address. She lives in New York City and is a graduate of the College of William and Mary in Virginia and the Columbia Journalism School.
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Additional Information

Publisher
Penguin
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Published on
Aug 7, 2018
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Pages
368
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ISBN
9781524742966
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Language
English
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Genres
Fiction / Historical / General
Fiction / Literary
Fiction / Mystery & Detective / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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“Rich both in twists and period detail, this tale of big-city ambition is impossible to put down.”—People
 
Fiona Davis's stunning debut novel pulls readers into the lush world of New York City's glamorous Barbizon Hotel for Women, where in the 1950s a generation of aspiring models, secretaries, and editors lived side by side while attempting to claw their way to fairy-tale success, and where a present-day journalist becomes consumed with uncovering a dark secret buried deep within the Barbizon's glitzy past.
 
When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick, and utterly convinced she doesn't belong—a notion the models do nothing to disabuse. Yet when Darby befriends Esme, a Barbizon maid, she's introduced to an entirely new side of New York City: seedy downtown jazz clubs where the music is as addictive as the heroin that's used there, the startling sounds of bebop, and even the possibility of romance.
 
Over half a century later, the Barbizon's gone condo and most of its long-ago guests are forgotten. But rumors of Darby's involvement in a deadly skirmish with a hotel maid back in 1952 haunt the halls of the building as surely as the melancholy music that floats from the elderly woman's rent-controlled apartment. It's a combination too intoxicating for journalist Rose Lewin, Darby's upstairs neighbor, to resist—not to mention the perfect distraction from her own imploding personal life. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.
Family secrets come back to haunt Jack Reacher in this electrifying thriller from #1 New York Times bestselling author Lee Child, “a superb craftsman of suspense” (Entertainment Weekly).

Jack Reacher hits the pavement and sticks out his thumb. He plans to follow the sun on an epic trip across America, from Maine to California. He doesn’t get far. On a country road deep in the New England woods, he sees a sign to a place he has never been: the town where his father was born. He thinks, What’s one extra day? He takes the detour.

At the same moment, in the same isolated area, a car breaks down. Two young Canadians had been on their way to New York City to sell a treasure. Now they’re stranded at a lonely motel in the middle of nowhere. The owners seem almost too friendly. It’s a strange place, but it’s all there is.

The next morning, in the city clerk’s office, Reacher asks about the old family home. He’s told no one named Reacher ever lived in town. He’s always known his father left and never returned, but now Reacher wonders, Was he ever there in the first place?

As Reacher explores his father’s life, and as the Canadians face lethal dangers, strands of different stories begin to merge. Then Reacher makes a shocking discovery: The present can be tough, but the past can be tense . . . and deadly.

Praise for Past Tense

“Child is one writer who should never be taken for granted.”—The New York Times Book Review

“[Lee Child] shows no signs of slowing down. . . . Reacher is a man for whom the phrase moral compass was invented: His code determines his direction. . . . You need Jack Reacher.”—The Atlantic

“Superb . . . Child neatly interweaves multiple narratives, ratchets up the suspense (the reveal of the motel plot is delicious), and delivers a powerful, satisfying denouement. Fans will enjoy learning more of this enduring character’s roots, and Child’s spare prose continues to set a very high bar.”—Publishers Weekly (boxed and starred review)

“Another first-class entry in a series that continues to set the gold standard for aspiring thriller authors.”—Booklist (starred review)

“With his usual flair for succinctness and eye for detail, Child creates another rollicking Reacher road trip that will please fans and newcomers alike.”—Library Journal (starred review)
THE NATIONAL BESTSELLER

Fiona Davis, author of The Dollhouse, returns with a compelling novel about the thin lines between love and loss, success and ruin, passion and madness, all hidden behind the walls of The Dakota—New York City’s most famous residence.

After a failed apprenticeship, working her way up to head housekeeper of a posh London hotel is more than Sara Smythe ever thought she’d make of herself. But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility—no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one’s station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else...and is living in The Dakota with his wife and three young children.

In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey’s grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won’t see a dime of the Camden family’s substantial estate. Instead, her “cousin” Melinda—Camden’s biological great-granddaughter—will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda’s vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in...and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell’s Island.

One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages—for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City—and take refuge and solace in the Upper West Side’s gilded fortress. But a building with a history as rich—and often tragic—as The Dakota’s can’t hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden—and the woman who killed him—on its head.

With rich historical detail, nuanced characters, and gorgeous prose, Fiona Davis once again delivers a compulsively readable novel that peels back the layers of not only a famed institution, but the lives—and lies—of the beating hearts within.
“Queen of Suspense” Mary Higgins Clark and Alafair Burke are back with their fifth enthralling mystery in the New York Times bestselling Under Suspicion series; You Don’t Own Me finds television producer Laurie Moran stopping at nothing to solve the murder of a celebrity doctor—even as she finds herself in grave danger as a mysterious stalker plots his next move.



When we last saw Laurie Moran, she had recently become engaged to her show’s former host, Alex Buckley. Since then, the two have been happily planning a summer wedding and honeymoon, preparing for Alex’s confirmation to a federal judicial appointment, and searching for the perfect New York City home for their new life together.

But then Laurie is approached by Robert and Cynthia Bell, parents of Dr. Martin Bell, a famously charming and talented physician who was shot dead as he pulled into the driveway of his Greenwich Village carriage house five years ago. The Bells are sure that Martin’s disgraced and erratic wife, Kendra, carried out the murder. Determined to prove Kendra’s guilt and win custody over their grandchildren, they plead with Laurie to feature their son’s case on “Under Suspicion,” ensuring her that Kendra is willing to cooperate.

Kendra has lived under a blanket of suspicion since Martin’s death, with the tabloid media depicting her as a secretive, mentally unstable gold-digger. Laurie’s show is a chance for her to clear her name. But unbeknownst to the Bells, Kendra has already refused once before to go forward with a re-investigation of her husband’s murder, and her statements to the contrary only add to the appearance of guilt.

But once Laurie dives into the case, she learns that Martin wasn’t the picture-perfect husband, father, and doctor he appeared to be and was carrying secrets of his own. And what does the web of lies ensnaring the Bell family have to do with a dangerous stranger, who gazes at Laurie from afar and thinks, She is actually quite a lovely girl, I’m sure she’s going to be missed…?

You Don’t Own Me is the perfect, exhilarating follow up to the bestselling Every Breath You Take. The “Queen of Suspense” Mary Higgins Clark and her dazzling partner-in-crime Alafair Burke have devised another riveting page-turner.
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