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A rediscovered, outstandingly prescient crime novel written in the lead-up to World War II, by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
“Genuinely creepy . . . Wyndham really was a terrific storyteller.”—Jo Walton
England, 1935: Phyllida Shiffer’s marriage has just ended in divorce. She heads home, expecting to be welcomed with open arms by her father, a brilliant (if slightly distracted) scientist. But her father’s house is locked up; he is nowhere to be found; and there are suspicious men who seem to think that Phyllida herself might hold the key to her father’s latest scientific discovery. . . .
“Genuinely creepy . . . Wyndham really was a terrific storyteller.”—Jo Walton
England, 1935: Phyllida Shiffer’s marriage has just ended in divorce. She heads home, expecting to be welcomed with open arms by her father, a brilliant (if slightly distracted) scientist. But her father’s house is locked up; he is nowhere to be found; and there are suspicious men who seem to think that Phyllida herself might hold the key to her father’s latest scientific discovery. . . .
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John Wyndham (1903–1969) is considered a pioneer of science fiction and horror, though he preferred to think of himself as a “logical fantasist.” He began writing science fiction and detective stories in the 1920s, but shifted to science fiction post-WWII, focusing on themes of disaster, invasion, and first contact. His best-known works include The Day of the Triffids (1951) and The Midwich Cuckoos (1957). A pacifist and socialist, Wyndham was alive to the impact of sexism, classism, and prejudice and his novels reflect his liberal politics.
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