Par šo e-grāmatu
Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it’s boasting that he’d be happy never to hear The Mastersingers ever again, pointing out that what critics condemn as the ‘formlessness’ of French music is one of its delights, voicing his outrage at attempts to ‘finish’ the Unfinished Symphony, writing ‘in praise of banality’ - or remembering the affair of Debussy’s hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved.
This volume comprises selected articles from Francis Poulenc: J’écris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols's translation, capturing the very essence of Poulenc’s lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.
Par autoru
Nicolas Southon has a doctorate in musicology and graduated from the National Conservatoire of Music, Paris. Il a enseigné à l'université de Tours ainsi qu'au conservatoire de région d'Aubervilliers, a été critique dans des revues musicales spécialisées, et apparaît régulièrement comme producteur sur France-Musique. He has taught at the University of Tours and the Conservatoire of Aubervilliers, as well as writing reviews for numerous music magazines, and appears regularly as a producer on France Musique.
Roger Nichols studied Music at Oxford University. In 1980 he became a freelance writer, broadcaster, critic, translator and pianist and has made numerous broadcasts on BBC Radio 3, mainly about French music. In 2006 he was appointed Chevalier de la Légion d'honneur for services to French culture.
