PRAISE FOR ASPERITY STREET:
In her remarkable collection, Asperity Street, Gail White takes on the whole sweep of existence. The street becomes the road of a lifetime, beginning with a Southern childhood and ending with a hospice finale. Laconic, ironic and comic, White’s drily resourceful, wickedly companionable voice takes aim on patrimony, matrimony, religion, money and the myth that assumes we choose our lives. With her sublime linguistic choreography, these poems dance to complex metrical tunes. We feel and hear them pulse with equal parts sympathy and vitriol. In Gail White’s capable hands, Asperity Street unfolds as a brilliant mural we can return to again and again, as the poet does—still vulnerable, and wiser each time.
— Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden
Gail White has done it again: here is another collection by one of America’s wittiest, most technically adept, funniest and most serious commentators on what it feels like to be human.
— Rhina P. Espaillat (from the foreword), author of Her Place in These Designs
I looked forward to reading Gail White’s new book of poems, Asperity Street, because I know she is one of America’s funniest poets, so when I got the manuscript I sat down to read it immediately. I knew how much I would enjoy it. I was not disappointed. The first three sections of this four-part collection have wit and bon mots in good measure, socko endings, words I’d never seen in poems before, like “cloaca” or a made-up word ending, “substituth,” to satisfy a droll rhyme. But nothing prepared me for part four. Nothing procedural changed. The insights were as sharp as ever, the language exact and clear, the cleverness and dexterity with form as deft, the music as mesmerizing . . . but this was a serious poet I’d not encountered before: there was a deepening of vision, an enhancement of feeling, the rueful treatment of life and death took on a cutting edge that slices to the bone. Don’t miss reading this book.
— Lewis Turco, author of The Book of Forms
Gail White has published three previous books of poetry (The Price of Everything, Easy Marks and The Accidental Cynic) and several chapbooks, the latest being Sonnets in a Hostile World. She has edited three anthologies, including coediting The Muse Strikes Back. Gail is widely published and her poetry has appeared in such journals as Measure, Raintown Review, First Things, and Mezzo Cammin, and in anthologies such as Villanelles and Killer Verse, both from Pocket Poets. Gail received the Howard Nemerov Sonnet Award for 2012 and 2013. She lives with her husband and three cats in Breaux Bridge, Louisiana.
Asperity Steet is a special honoree in the 2014 Able Muse Book Award.
The Divine Comedydescribes Dante's descent into Hell with Virgil as a guide; his ascent of Mount Purgatory and encounter with his dead love, Beatrice; and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption.
'The perfect balance of tightness and colloquialism... likely to be the best modern version of Dante' - Bernard O'Donoghue
'The most moving lines literature has achieved' - Jorge Luis Borges
'This version is the first to bring together poetry and scholarship in the very body of the translation - a deeply-informed version of Dante that is also a pleasure to read' - Professor David Wallace, University of Pennsylvania
Individual editions of Robin Kirkpatrick's translation - Inferno, Purgatorio and Paradiso - are also available in Penguin Classics, and include Dante's Italian printed alongside the English text.
Dante Alighieri was born in Florence in 1265 and belonged to a noble but impoverished family. His life was divided by political duties and poetry, the most of famous of which was inspired by his meeting with Bice Portinari, whom he called Beatrice, including La Vita Nuova and The Divine Comedy. He died in Ravenna in 1321.
Robin Kirkpatrick is a poet and widely-published Dante scholar. He has taught courses on Dante's Divine Comedy in Hong Kong, Dublin, and Cambridge where is Fellow of Robinson College and Professor of Italian and English Literatures.