Good Night, Mr. James: And Other Stories
júl. 2016 · The Complete Short Fiction of Clifford D. Simak Bók 8 · Open Road Media
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Strange, poignant tales of life in outer space and on tomorrow’s Earth from the multiple Hugo Award–winning Grand Master of Science Fiction.
Virtually every major author from science fiction’s fabled golden age—including Poul Anderson, Isaac Asimov, and Robert A. Heinlein—agreed that Clifford D. Simak was one of the greatest among them. Named Grand Master by the Science Fiction Writers of America, the award-winning author created enduring visions of future worlds, perilous space explorations, and weird alien encounters as rich in emotion and humanity as they are in ingenious invention. This is an essential collection of short fiction from the remarkable mind and heart of a true giant of twentieth-century speculative fiction, featuring powerful examples of literary science fiction at its very best.
Beginning with the unforgettable title story—a wry and chilling horror tale about cloning and alien invasion that inspired the classic teleplay “The Duplicate Man” from the television series The Outer Limits—Simak propels the reader on a breathtaking journey across the galaxies and into the future. He then enthralls us with the strange chronicle of twin siblings, one tied to the Earth, the other drawn to the stars; imaginings of a volatile reunion of two former enemies who must join forces on Jupiter’s moon or face extinction; and the story of a house in the middle of nowhere that serves as a gateway back to prehistoric times.
With his wondrous tales of a journalist’s miraculous discovery of fairies and sprites in the world, a census three centuries in the making that uncovers an unknown leap forward in human evolution, and the nightmare realities of future elder care, Simak demonstrates once again that he is not only one of the greatest science fiction writers of the twentieth century, but also one of the greatest of all time.
Virtually every major author from science fiction’s fabled golden age—including Poul Anderson, Isaac Asimov, and Robert A. Heinlein—agreed that Clifford D. Simak was one of the greatest among them. Named Grand Master by the Science Fiction Writers of America, the award-winning author created enduring visions of future worlds, perilous space explorations, and weird alien encounters as rich in emotion and humanity as they are in ingenious invention. This is an essential collection of short fiction from the remarkable mind and heart of a true giant of twentieth-century speculative fiction, featuring powerful examples of literary science fiction at its very best.
Beginning with the unforgettable title story—a wry and chilling horror tale about cloning and alien invasion that inspired the classic teleplay “The Duplicate Man” from the television series The Outer Limits—Simak propels the reader on a breathtaking journey across the galaxies and into the future. He then enthralls us with the strange chronicle of twin siblings, one tied to the Earth, the other drawn to the stars; imaginings of a volatile reunion of two former enemies who must join forces on Jupiter’s moon or face extinction; and the story of a house in the middle of nowhere that serves as a gateway back to prehistoric times.
With his wondrous tales of a journalist’s miraculous discovery of fairies and sprites in the world, a census three centuries in the making that uncovers an unknown leap forward in human evolution, and the nightmare realities of future elder care, Simak demonstrates once again that he is not only one of the greatest science fiction writers of the twentieth century, but also one of the greatest of all time.
Um höfundinn
During his fifty-five-year career, CLIFFORD D. SIMAK produced some of the most iconic science fiction stories ever written. Born in 1904 on a farm in southwestern Wisconsin, Simak got a job at a small-town newspaper in 1929 and eventually became news editor of the Minneapolis Star-Tribune, writing fiction in his spare time.
Simak was best known for the book City, a reaction to the horrors of World War II, and for his novel Way Station. In 1953 City was awarded the International Fantasy Award, and in following years, Simak won three Hugo Awards and a Nebula Award. In 1977 he became the third Grand Master of the Science Fiction and Fantasy Writers of America, and before his death in 1988, he was named one of three inaugural winners of the Horror Writers Association’s Bram Stoker Award for Lifetime Achievement.
DAVID W. WIXON was a close friend of Clifford D. Simak’s. As Simak’s health declined, Wixon, already familiar with science fiction publishing, began more and more to handle such things as his friend’s business correspondence and contract matters. Named literary executor of the estate after Simak’s death, Wixon began a long-term project to secure the rights to all of Simak’s stories and find a way to make them available to readers who, given the fifty-five-year span of Simak’s writing career, might never have gotten the chance to enjoy all of his short fiction. Along the way, Wixon also read the author’s surviving journals and rejected manuscripts, which made him uniquely able to provide Simak’s readers with interesting and thought-provoking commentary that sheds new light on the work and thought of a great writer.
Simak was best known for the book City, a reaction to the horrors of World War II, and for his novel Way Station. In 1953 City was awarded the International Fantasy Award, and in following years, Simak won three Hugo Awards and a Nebula Award. In 1977 he became the third Grand Master of the Science Fiction and Fantasy Writers of America, and before his death in 1988, he was named one of three inaugural winners of the Horror Writers Association’s Bram Stoker Award for Lifetime Achievement.
DAVID W. WIXON was a close friend of Clifford D. Simak’s. As Simak’s health declined, Wixon, already familiar with science fiction publishing, began more and more to handle such things as his friend’s business correspondence and contract matters. Named literary executor of the estate after Simak’s death, Wixon began a long-term project to secure the rights to all of Simak’s stories and find a way to make them available to readers who, given the fifty-five-year span of Simak’s writing career, might never have gotten the chance to enjoy all of his short fiction. Along the way, Wixon also read the author’s surviving journals and rejected manuscripts, which made him uniquely able to provide Simak’s readers with interesting and thought-provoking commentary that sheds new light on the work and thought of a great writer.
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