Everything Wilberforce touches turns to disaster in his desperate attempts to fight off desire, boredom, and angst. He knocks himself unconscious tackling the unattainable Spaulding on the rugby pitch, his headmaster detests him for crimes committed years ago, and even his closest friends are subjecting him to physical tortures normally reserved for juniors. When an accident at the boarding school leaves him with more suffering than he could have fathomed, he finds himself alone and adrift. And the workaday charms of cricket practice, Victorian pornography, canings from classmates, and fumbling with the pub-keeper's daughter can only do so much to mend a broken body and a restless heart.
Stylishly inventive, H. S. Cross has crafted an imaginative, ritualistic world of men and boys narrowly confined by tradition and authority. Wilberforce is an indelible portrait of a young man caught between lust and cruelty, grief and God, frustrated love and abject longing-and a tour de force that heralds the arrival of a brilliant new novelist.
H. S. Cross was born in Grosse Pointe, Michigan, and studied at Harvard University. Wilberforce is her debut novel. She has taught at Friends Seminary and lives in New York.
St. Stephen’s Academy, Yorkshire, 1931. A world unto itself, populated by boys reveling in life’s first big mistakes and men still learning how to live with the consequences of their own. They live a cloistered life, exotic to modern eyes, founded upon privilege, ruled by byzantine and often unspoken laws, haunted by injuries both casual and calculated. Yet within those austere corridors can be found windows of enchantment, unruly love, and a wild sort of freedom, all vanished, it seems, from our world.
Told from a variety of viewpoints—including that of unhappy Housemaster John Grieves—Grievous takes us deep inside the crucible of St. Stephen’s while retaining a clear-eyed, contemporary sensibility, drawing out the urges and even mercies hidden beneath the school’s strict, unsparing surface. The Academy may live by its own codes, but as with the world around it—a world the characters must ultimately face—it already contains everything necessary to shape its people or tear them apart.
No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than André Aciman’s haunting Call Me by Your Name. First published in 2007, it was hailed as “a love letter, an invocation . . . an exceptionally beautiful book” (Stacey D’Erasmo, The New York Times Book Review). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award–winning film starring Timothée Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love.
In Find Me, Aciman shows us Elio’s father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami’s plans and changes his life forever.
Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic.
Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies.
An Instant Classic and One of the Great Love Stories of Our Time
Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy. It is an instant classic and one of the great love stories of our time.
Winner of the Lambda Literary Award for Ficition
A New York Times Notable Book of the Year • A Publishers Weekly and The Washington Post Best Book of the Year • A New York Magazine "Future Canon" Selection • A Chicago Tribune and Seattle Times (Michael Upchurch's) Favorite Favorite Book of the Year