Hospital Sketches (Civil War Classics)

Louisa May Alcott · Civil War Classics

січ. 2015 р. · Diversion Books

Про цю електронну книгу

To commemorate the 150th Anniversary of the end of the Civil War, Diversion Books is publishing seminal works of the era: stories told by the men and women who led, who fought, and who lived in an America that had come apart at the seams.

LITTLE WOMEN made Louisa May Alcott a canonical writer, but it was HOSPITAL SKETCHES that first brought her acclaim.  These four sketches, based on letters Alcott sent home during a six-week stint as a volunteer nurse for the Union Army, reveal the horrors of battlefield medicine.  In her baptism-by-fire, Alcott treats the wounded soldiers from the Battle of Fredericksburg.  As she grows into her role, Alcott brings grace and dignity to the badly injured men, and in her letters, she reveals a writer growing into her own immense talents, and a deeply perceptive observer of the life of a healing force in a grueling war.    

Про автора

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.