מידע על הספר הדיגיטלי הזה
On the 16th of August 1967, 25 year old Robert Davidson was at The Royal Garden Hotel with band promoter Tony Secunda as part of a press call for Frank Zappa’s upcoming concert at the Royal Albert Hall, a day that was to change his life forever. It was swelteringly hot. The room was heaving with press. Zappa disappeared to go to the bathroom. Wandering around the penthouse apartment, looking for a photo opportunity, Robert found Zappa, stripped, with his trousers around his ankles, sitting on the loo chatting to his wife Gail on the phone.
The open doorway framed the shot perfectly. It was too good to miss. Robert asked permission to take some photos. Zappa saying to his wife. “Some limey wants to take my picture on the John. Sure, whatever turns him on.” This set of images, immediately gained cult status, a sentiment echoed by Zappa himself in 1983, when he stated, “I’m probably more famous for sitting on the toilet than for anything else.”
Despite one of the photographs becoming a worldwide bestselling poster, Robert never received any royalties. I Shot Frank Zappa chronicles Robert’s efforts over the years to reclaim copyright and ownership of the negatives, and in the process takes the reader on a journey through the drug fuelled Swinging Sixties of London up to the current day, where characters like the Krays, the models Twiggy and Celia Hammond and later Kate Moss trip lightly over the pages.
It is not just a story about stolen copyright. It describes a man’s personal journey and his struggle to balance the demands of family life with failing mental health.
I Shot Frank Zappa is a story of serendipity and redemption and the refusal to give up when the world seems against you, all seen through Robert’s eyes, which filter events with warmth and humanity, like the lens of the camera, behind which he prefers to hide.
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על המחבר
Born in Dundee, I took early retirement aged seventeen. I went to live in Paris, where I met legendary Time Life photographer, Emil Cadoo. Two years later, I returned to London to pursue a life in photography. I worked for a number of portrait and fashion photographers, and took the first test shots of Twiggy.
Around the same time, I became friends with Tony Secunda, manager of The Moody Blues, Procol Harum and The Move. As Secunda’s official photographer, I was privileged to take photographs of some of the most famous names in the business. These included The Rolling Stones, Frank Zappa, David Bowie and Arthur Brown.
