ll of the children are free thinking independent-minded teenagers. The story is told from the point of view of Jack, one of the sons, the narrator who is entering adolescence with all of its curiosity and appetites that he must contend with (along with the sure confusion of what the children have done). Julie, the eldest, is almost a grown woman. Sue is rather bookish and observes all that goes on around her. And Tom is the youngest and the baby of the lot.
The children seem to manage in this perverse setting rather well until Julie brings home a boyfriend who threatens their secret by asking too many questions (like what is buried beneath the cement pile, etc), surely threatening the status quo (however morbid) that the children have come to accept as “normal” and as “home”. We understand through McEwan that home is not to be defined by anyone else but it is, instead, what you know and have known that makes you feel safe, even if it is rather dangerous and macabre.
The beloved and bestselling novel and winner of the Booker Prize, Life of Pi.
New York Times Bestseller * Los Angeles Times Bestseller * Washington Post Bestseller * San Francisco Chronicle Bestseller * Chicago Tribune Bestseller
"A story to make you believe in the soul-sustaining power of fiction."—Los Angeles Times Book Review
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound royal bengal tiger. The scene is set for one of the most extraordinary and beloved works of fiction in recent years.
Universally acclaimed upon publication, Life of Pi is a modern classic.