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In all that has been written about postcolonialism, surprisingly little has specifically addressed the position of Canada, Canadian literature, or Canadian culture.
Postcolonialism is a theory that has gained credence throughout the world; it is be productive to ask if and how we, as Canadians, participate in postcolonial debates. It is also vital to examine the ways in which Canada and Canadian culture fit into global discussions as our culture reflects how we interact with our neighbours, allies, and adversaries.
This collection wrestles with the problems of situating Canadian literature in the ongoing debates about culture, identity, and globalization, and of applying the slippery term of postcolonialism to Canadian literature. The topics range in focus from discussions of specific literary works to general theoretical contemplations. The twenty-three articles in this collection grapple with the recurrent issues of postcolonialism тАФ including hybridity, collaboration, marginality, power, resistance, and historical revisionism тАФ from the vantage point of those working within Canada as writers and critics. While some seek to confirm the legitimacy of including Canadian literature in the discussions of postcolonialism, others challenge this very notion.
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Laura Moss is a member of the English Department at the University of British Columbia, and is on the editorial boards of ARIEL: A Review of International English Literature and Studies in Canadian Literature. She edited Frances BrookeтАЩs The History of Emily Montague, and her articles on international authors have appeared in journals and books.
