The contributors to this collection do not simply elucidate Ranci├иreтАЩs project; they also critically respond to it from their own perspectives. They consider the theoristтАЩs engagement with the writing of history, with institutional and narrative constructions of time, and with the ways that individuals and communities can disturb or reconfigure what he has called the тАЬdistribution of the sensible.тАЭ They examine his unique conception of politics as the disruption of the established distribution of bodies and roles in the social order, and they elucidate his novel account of the relationship between aesthetics and politics by exploring his astute analyses of literature and the visual arts. In the collectionтАЩs final essay, Ranci├иre addresses some of the questions raised by the other contributors and returns to his early work to provide a retrospective account of the fundamental stakes of his project.
Contributors. Alain Badiou, ├Йtienne Balibar, Bruno Bosteels, Yves Citton, Tom Conley, Solange Gu├йnoun, Peter Hallward, Todd May, Eric M├йchoulan, Giuseppina Mecchia, Jean-Luc Nancy, Andrew Parker, Jacques Ranci├иre, Gabriel Rockhill, Kristin Ross, James Swenson, Rajeshwari Vallury, Philip Watts
Garbiel Rockhill is an assistant professor of philosophy at Villanova University. He is edited and translated Jacques Ranci├иreтАЩs The Politics of Aesthetics. Philip Watts is an associate professor of French at Columbia University. He is the author of Allegories of the Purge: How Literature Responded to the Postwar Trials of Writers and Intellectuals in France.
Philip Watts is Associate Professor and Chair of the Department of French and Romance Philology at Columbia University. He is the author of Allegories of the Purge.