When I Was the Greatest

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In Bed Stuy, New York, a small misunderstanding can escalate into having a price on your head—even if you’re totally clean. This gritty, triumphant debut that Publishers Weekly calls “a funny and rewarding read” captures the heart and the hardship of life for an urban teen.

A lot of the stuff that gives my neighborhood a bad name, I don’t really mess with. The guns and drugs and all that, not really my thing.

Nah, not his thing. Ali’s got enough going on, between school and boxing and helping out at home. His best friend Noodles, though. Now there’s a dude looking for trouble—and, somehow, it’s always Ali around to pick up the pieces. But, hey, a guy’s gotta look out for his boys, right? Besides, it’s all small potatoes; it’s not like anyone’s getting hurt.

And then there’s Needles. Needles is Noodles’s brother. He’s got a syndrome, and gets these ticks and blurts out the wildest, craziest things. It’s cool, though: everyone on their street knows he doesn’t mean anything by it.

Yeah, it’s cool…until Ali and Noodles and Needles find themselves somewhere they never expected to be…somewhere they never should've been—where the people aren’t so friendly, and even less forgiving.
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About the author

Jason Reynolds is a New York Times bestselling author, a Newbery Award Honoree, a Printz Award Honoree, National Book Award Honoree, a Kirkus Award winner, a two-time Walter Dean Myers Award winner, an NAACP Image Award Winner, and the recipient of multiple Coretta Scott King honors. The American Booksellers Association’s 2017 and 2018 spokesperson for Indies First, his many books include When I Was the Greatest, Boy in the Black Suit, All American Boys (cowritten with Brendan Kiely), As Brave as You, For Every One, the Track series (Ghost, Patina, Sunny, and Lu), and Long Way Down, which received both a Newbery Honor and a Printz Honor. He lives in Washington, DC. You can find his ramblings at JasonWritesBooks.com.

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4.7
21 total
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Additional Information

Publisher
Simon and Schuster
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Published on
Jan 7, 2014
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Pages
240
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ISBN
9781442459496
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Language
English
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Genres
Young Adult Fiction / People & Places / United States / African American
Young Adult Fiction / Social Themes / Bullying
Young Adult Fiction / Social Themes / Disabilities & Special Needs
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Content Protection
This content is DRM protected.
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Eligible for Family Library

Reading information

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“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review)
“Astonishing.” —Kirkus Reviews (starred review)
“A tour de force.” —Publishers Weekly (starred review)

A Newbery Honor Book
A Coretta Scott King Honor Book
A Printz Honor Book
A Los Angeles Times Book Prize Winner for Young Adult Literature
Longlisted for the National Book Award for Young People’s Literature
Winner of the Walter Dean Myers Award
An Edgar Award Winner for Best Young Adult Fiction
Parents’ Choice Gold Award Winner
An Entertainment Weekly Best YA Book of 2017
A Vulture Best YA Book of 2017
A Buzzfeed Best YA Book of 2017

An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.

A cannon. A strap.
A piece. A biscuit.
A burner. A heater.
A chopper. A gat.
A hammer
A tool
for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he?

As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator?

Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator.

Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
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