Eddie Vegas made a terrible mistake. Now he has to pay the price. After a botched debt collection turned double murder, Eddie splits, desperate to avoid his employer, notorious L.A. crime boss Saul Benedict, and his men (and Eddie’s ex-partners), Floyd and Sawyer, as well as the police. Soon he becomes entangled with the clever and beautiful Dakota, a Native American woman fresh in the City of Angels to find her missing friend—someone Eddie might know something about. Meanwhile in Texas, ex-assassin Rufus, seeking vengeance for his murdered brother, takes up his beloved daggers one final time and begins the long drive to L.A. When the bodies begin to mount, Detective Alison Lockley’s hunt for the killers becomes increasingly urgent. As paths cross, confusion ensues, and no one’s entirely sure who’s after who. But one thing is clear: They’re not all getting out of this alive.
Praise for Nobody Move
“A multifaceted series opener by a promising new voice in hard-boiled crime fiction. Fans of Elmore Leonard and Jim Thompson will find much to savor”
"a new spin on the genre"
—San Francisco Book Review
"makes reading fun again"
—US Review of Books
"impossible to put down"
—Kevin Wilson, NYT bestselling author of Nothing to See Here
"fast-paced and chock full of interesting characters [and] chillingly delicious evil"
"first class neo-noir"
—Murder, Mayhem & More
"not a single dull moment"
—Online Book Club
"satire at its best"
"like Tarantino on the page . . . rushes at you from page one"
—Dietrich Kalteis, award-winning author of Poughkeepsie Shuffle
"Elliott has a gift for upholding momentum that never slows. The characterization is great, but it’s the high-octane action and a horde of twists along with tight plotting that make the book a winner"
—The Prairies Book Review
She calls herself Lady Justice. And once she has chosen a man as her target, she turns herself into a tall blonde or a curvaceous redhead, makes herself as alluring and seductive as possible to them. Once they are in her grasp, they are powerless.
The first victim is wealthy businessman Nigel McEnroy. His company’s human resources department has already paid out settlements to a couple of his young victims—but they don’t know that his crimes go far beyond workplace harassment. Lady Justice knows. And in one shocking night of brutality, she makes him pay a much steeper price.
Now Eve Dallas and her husband, Roarke, are combing through the evidence of McEnroy’s secret life. His compulsive need to record his misdeeds provides them with a wide range of suspects, but the true identity of Lady Justice remains elusive. It’s a challenging case, made even more difficult by McEnroy’s widow, who reacts to the investigation with fury, denial, and threats. Meanwhile, Lady Justice’s criminal crusade is escalating rapidly, and if Eve can’t stop this vigilante, there’s no telling how much blood may be spilled...
DiMaggio was a man of extremes, superbly talented on the field but privately insecure, passive, and dysfunctional. He never understood that for Monroe, on her own complex and tragic journey, marriage was a career move; he remained passionately committed to her throughout his life. He allowed himself to be turned into a sports memorabilia money machine. In the end, unable to define any role for himself other than "Greatest Living Ballplayer," he became trapped in "a horrible kind of minutia." But where others have seen little that was human behind that minutia, Charyn in" Joe DiMaggio" presents the tragedy of one of American sports' greatest figures.