Információk az e-könyvről
As an American comic book writer, editor, and businessman, Jim Shooter (b. 1951) remains among the most important figures in the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protégé of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman’s villain the Parasite, and jointly devised the first race between the Flash and Superman.
When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marvel dominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne’s run on the Uncanny X-Men, Byrne’s work on the Fantastic Four, Frank Miller’s Daredevil stories, Walt Simonson’s crafting of Norse mythology in Thor, and Roger Stern’s runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant and Broadway Comics.
Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, an extensive, original interview encompasses Shooter’s full career.
When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marvel dominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne’s run on the Uncanny X-Men, Byrne’s work on the Fantastic Four, Frank Miller’s Daredevil stories, Walt Simonson’s crafting of Norse mythology in Thor, and Roger Stern’s runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant and Broadway Comics.
Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, an extensive, original interview encompasses Shooter’s full career.
A szerzőről
Jason Sacks is author of many books of comics history, including American Comic Book Chronicles: The 1970s; Thriller: 7 Seconds to Save the World; and the forthcoming American Comic Book Chronicles: The 1990s. He is coeditor (with Eric Hoffman and Dominick Grace) of Steve Gerber: Conversations, published by University Press of Mississippi. Eric Hoffman is author of Oppen: A Narrative. He coedited (with Jason Sacks and Dominick Grace) Steve Gerber: Conversations and (with Dominick Grace) Dave Sim: Conversations; Chester Brown: Conversations; Seth: Conversations; and The Canadian Alternative: Cartoonists, Comics, and Graphic Novels; and (with Nina Goss) Tearing the World Apart: Bob Dylan and the Twenty-First Century, all published by University Press of Mississippi. He is also author of several books of poetry, most recently This Thin Mean: New Selected Poems; Presence of Life; and Losses of Life. Dominick Grace is author of The Science Fiction of Phyllis Gotlieb: A Critical Reading. He coedited (with Jason Sacks and Eric Hoffman) Steve Gerber: Conversations and (with Eric Hoffman) Dave Sim: Conversations; Chester Brown: Conversations; Seth: Conversations; and The Canadian Alternative: Cartoonists, Comics, and Graphic Novels, all published by University Press of Mississippi.
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