Goethe’s classic story of tormented love and destruction
Told through lyrical and impassioned letters to his friend Wilhelm, this novel follows the ardent young Werther to the German countryside, where he delves into artistic pursuits and basks in the simplicity of village life. But Werther’s tranquility is shattered when he meets the captivating Charlotte at a ball in a nearby town. Every bit his equal in temperament and intellectual interests, Charlotte quickly becomes Werther’s singular obsession. He falls inextricably in love despite her engagement to another man. Overtaken by his affection for Charlotte and unable to extricate himself from the unrequited love, Werther must make peace between his artistic temperament and the harsh realities of the world.
Among the first—and most notable—examples of Germany’s Sturm und Drang movement, The Sorrows of Young Werther was enormously influential upon its publication in 1774, creating a cult of personality around the tragic figure of Werther and causing a sensation in Europe’s literary community.
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Goethe’s masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.
This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.
A classic of world literature, Goethe’s Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy. Martin Greenberg re-creates not only the text’s varied meter and rhyme but also its diverse tones and styles—dramatic and lyrical, reflective and farcical, pathetic and coarse, colloquial and soaring. His rendition of Faust is the first faithful, readable, and elegantly written translation of Goethe’s masterpiece available in English. At last, the Greenberg Faust is available in a single volume, together with a thoroughly updated translation, preface, and notes.
“Greenberg has accomplished a magnificent literary feat. He has taken a great German work, until now all but inaccessible to English readers, and made it into a sparkling English poem, full of verve and wit. Greenberg's translation lives; it is done in a modern idiom but with respect for the original text; I found it a joy to read.”—Irving Howe (on the earlier edition)
How happy I am that I am gone! My dear friend, what a thing is the heart of man! To leave you, from whom I have been inseparable, whom I love so dearly, and yet to feel happy! I know you will forgive me. Have not other attachments been specially appointed by fate to torment a head like mine? Poor Leonora! and yet I was not to blame. Was it my fault, that, whilst the peculiar charms of her sister afforded me an agreeable entertainment, a passion for me was engendered in her feeble heart? And yet am I wholly blameless? Did I not encourage her emotions? Did I not feel charmed at those truly genuine expressions of nature, which, though but little mirthful in reality, so often amused us? Did I not?but oh! what is man, that he dares so to accuse himself? My dear friend I promise you I will improve; I will no longer, as has ever been my habit, continue to ruminate on every petty vexation which fortune may dispense; I will enjoy the present, and the past shall be for me the past. No doubt you are right, my best of friends, there would be far less suffering amongst mankind, if men?and God knows why they are so fashioned?did not employ their imaginations so assiduously in recalling the memory of past sorrow, instead of bearing their present lot with equanimity. Be kind enough to inform my mother that I shall attend to her business to the best of my ability, and shall give her the earliest information about it. I have seen my aunt, and find that she is very far from being the disagreeable person our friends allege her to be. She is a lively, cheerful woman, with the best of hearts. I explained to her my mother's wrongs with regard to that part of her portion which has been withheld from her. She told me the motives and reasons of her own conduct, and the terms on which she is willing to give up the whole, and to do more than we have asked. In short, I cannot write further upon this subject at present; only assure my mother that all will go on well. And I have again observed, my dear friend, in this trifling affair, that misunderstandings and neglect occasion more mischief in the world than even malice and wickedness. At all events, the two latter are of less frequent occurrence. In other respects I am very well off here. Solitude in this terrestrial paradise is a genial balm to my mind, and the young spring cheers with its bounteous promises my oftentimes misgiving heart. Every tree, every bush, is full of flowers; and one might wish himself transformed into a butterfly, to float about in this ocean of perfume, and find his whole existence in it. The town itself is disagreeable; but then, all around, you find an inexpressible beauty of nature. This induced the late Count M to lay out a garden on one of the sloping hills which here intersect each other with the most charming variety, and form the most lovely valleys. The garden is simple; and it is easy to perceive, even upon your first entrance, that the plan was not designed by a scientific gardener, but by a man who wished to give himself up here to the enjoyment of his own sensitive heart. Many a tear have I already shed to the memory of its departed master in a summer-house which is now reduced to ruins, but was his favourite resort, and now is mine. I shall soon be master of the place. The gardener has become attached to me within the last few days, and he will lose nothing thereby.
Eduard and Charlotte are an aristocratic couple who live a harmonious but idle life in their estate. But the peace of their existence is thrown into chaos when two visitors - Eduard's friend the Captain and Charlotte's passionate young ward Ottilie - provoke unexpected attraction and forbidden love. Taking its title from the principle of elective affinities - the theory that certain chemicals are naturally drawn to one another - this is a penetrating study of marriage and adultery. Inspired by Goethe's own conflicting loyalties as he battled to maintain his relationship with his wife and control his feelings for a younger woman, Elective Affinities is one of the greatest works of the romance era: a rich exploration of love, conflict, and the inescapable force of fate.
The 1774 publication of the epistolary novel The Sorrows of Young Werther transformed its 24-year-old author, Johann Wolfgang von Goethe, into a world-renowned literary sensation virtually overnight. The story centers on Werther, a highly sensitive artist who has channeled his passionate temperate into his unrequited love for Lotte, a beautiful young lady who is still reeling from the aftermath of her mother's death. Regarded as a masterpiece of the Romantic era, this lyrical meditation on love and loss will resonate with anyone whose affections have been spurned.
In Elective Affinities Goethe conducts an experiment with the lives of people who are living badly. Charlotte and Eduard, aristocracts with little to occupy them, invite Ottilie and the Captain into their lives; against morality, good sense, and conscious volition all four are drawn into relationships as inexorably as if they were substances in a chemical equation. The novel asks whether we have free will or not; more disturbingly, it confronts its characters with the monstrous consequences of their repression of any real life in themselves. Goethe wrote Elective Affinities when he was sixty and long established as Germany's literary giant. He remained an uneasy and scandalous figure, none the less, and readers of Elective Affinities were profoundly disturbed by its penetrating study of marriage and passion. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Germany’s most celebrated writer deserves a place in the digital library of all lovers of classical literature. This eBook presents the most comprehensive collection of Johann Wolfgang von Goethe’s works available, with beautiful illustrations, informative introductions and the usual Delphi bonus material. (Version: 1)
* Beautifully illustrated with images relating to Goethe’s life and works * Concise introductions to the novels, plays and other works * ALL the novels and 12 plays, including rare plays appearing for the first time in digital print * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * Features Abraham Hayward’s 30 beautiful illustrations for FAUST * Includes the rare and often missed-out-of-collections Part Two of FAUST * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Non-fiction works, including the famous THEORY OF COLOUR * Special criticism section, with essays by writers such as Ralph Waldo Emerson and Sir Walter Scott, as evaluating Goethe’s contribution to literature * Features an autobiography and a bonus biography – discover Goethe’s literary life * Scholarly ordering of texts into chronological order and literary genres
The Novels THE SORROWS OF YOUNG WERTHER WILHELM MEISTER’S APPRENTICESHIP ELECTIVE AFFINITIES WILHELM MEISTER’S JOURNEYMAN YEARS
The Short Stories A TALE THE GOOD WOMEN
The Plays THE WAYWARD LOVER THE FELLOW CULPRITS GOETZ VON BERLICHINGEN CLAVIGO EGMONT THE BROTHER AND SISTER STELLA IPHIGENIA IN TAURIS TORQUATO TASSO FAUST: PART ONE THE NATURAL DAUGHTER FAUST: PART TWO
The Poetry THE POEMS OF GOETHE LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER
The Non-Fiction THEORY OF COLOURS MAXIMS AND REFLECTIONS
The Criticism GOETHE – THE WRITER by Ralph Waldo Emerson GOETHE by C. E. Vaughan GOETHE by John Cowper Powys GOETHE’S FAUST by George Santayana SHAKESPEARE AND GOETHE by David Masson GOETHE’S THEORY OF COLORS by John Tyndall EXTRACTS OF CORRESPONDENCE by Sir Walter Scott
The Autobiography TRUTH AND FICTION RELATING TO MY LIFE
The Biography THE LIFE OF GOETHE by Calvin Thomas
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