In Mortal Combat: Korea, 1950–1953

· Open Road Media
3.8
4 reviews
Ebook
624
Pages
Eligible

About this ebook

A history of the Korean War with soldier’s-eye views from both sides, by the Pulitzer Prize–winning author of The Rising Sun and Infamy.

 Pulitzer Prize–winning author John Toland reports on the Korean War in a revolutionary way in this thoroughly researched and riveting book. Toland pored over military archives and was the first person to gain access to previously undisclosed Chinese records, which allowed him to investigate Chairman Mao’s direct involvement in the conflict. Toland supplements his captivating history with in-depth interviews with more than two hundred American soldiers, as well as North Korean, South Korean, and Chinese combatants, plus dozens of poignant photographs, bringing those who fought to vivid life and honoring the memory of those lost.
 
In Mortal Combat is comprehensive in it discussion of events deemed controversial, such as American brutality against Korean civilians and allegations of American use of biological warfare. Toland tells the dramatic account of the Korean War from start to finish, from the appalling experience of its POWs to Mao’s prediction of MacArthur’s Inchon invasion.
 
Toland’s account of the “forgotten war” is a must-read for any history aficionado.

Ratings and reviews

3.8
4 reviews
Douglas Harris
November 23, 2022
Was a good book. Never got to finish it. Phone dropped my books. Not happy!
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About the author

John Toland (1912–2004) was one of the most respected and widely read historians of the twentieth century, known for writing without analysis or judgment and allowing the characters and their actions to speak for themselves. He was the author of two novels, a memoir, and more than a dozen works of nonfiction, including Adolf Hitler: The Definitive Biography and The Rising Sun: The Decline and Fall of the Japanese Empire, 1936–1945, which won the Pulitzer Prize in 1971. Upon its original publication in 1991, In Mortal Combat: Korea, 1950–1953 was hailed by the New York Times for its “panoramic” scope and its skill in presenting “the soldier’s-eye view of the war.”
 

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