The secret mythology of the American pioneers.
A tale of a suicidal dragon who makes a remarkable self-discovery.
The saga of a simple man who decides he no longer needs to breathe.
A fable about a moon that is filled with water.
The story of an introvert who pretends to be a Jehovah’s Witness so that he can finally make a friend.
Along with stories of gothic and Lovecraftian horror, surreal microfiction, short essays on inspiration and courageous living, and poems on natural mystery, passion, and social justice.
Josh Wagner was living in the middle of the desert with his dog Lucyfurr in 2008 when Ape Entertainment released his first graphic novel, Fiction Clemens. Since then he’s traveled all over the planet, spinning stories out of what he finds. Outside of his comics work Josh is the author of four novels: Smashing Laptops, Deadwind Sea, The Adventures of the Imagination of Periphery Stowe, and his newest work, Shapes the Sunlight Takes. He’s also written half a dozen plays (including Salep & Silk, Ringing Out, Bleach Bone).
In his spare moments he reads too much, gets lost in the woods, and dances until they kick him out of the bar. In 2014 Josh is releasing two books: a new novel through Asymmetrical, and his novella, Mystery Mark, a collaboration with illustrator Theo Ellsworth and Viscosity Theatre. Josh blogs and promotes the arts at NothingInMind.com.
Lexie, a 15 year old outcast, believes she can see the future.
When her best friend’s dropout brother Derwin rides back into town, Lexie has a vision that he and her senior crush, Mirielle, are destined to have a child who will grow up to save the world. The problem is, Mirielle and Derwin hate each other. But Lexie believes it’s up to her to bring them together, if only for one night.
The conflict between her own desire for Mirielle and her allegiance to her vision drives Lexie to seek answers from the old folks at a high-tech retirement home, a clique of self-proclaimed eco-terrorists, and a story her ex-girlfriend once told her about a grotesque tongue that seduces souls at the world’s end.
Shapes the Sunlight Takes is coming-of-age magical realism about the relationships we make with our past and future selves, where the search for perspective in a world of self-deception culminates in a final showdown between Lexie’s imagination and the fate of the universe.
“Wagner’s novel does what all good novels should do: it made me think about the way that I think…. an odd, intimate story about the messy and complicated relationship between reality and fantasy.”
– Theo Ellsworth; Capacity, The Understanding Monster
“With an attention to feelings and language that I’m inclined to describe as enviable…. Wagner remembers what it’s like to be a teenage lesbian and does the dirty work of reminding the rest of us.”
– Molly Laich; Missoula Independent
A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
"Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books
"Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books
"While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company
"Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore
"The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore
"Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books