Thérèse Lafirme is a Creole widow whose husband’s death has made the Place-du-Bois plantation on the Cane River in northwestern Louisiana her sole responsibility. Struggling to survive in a region that, following the fall of the Confederacy, has failed to recover from the devastation of defeat, Lafirme agrees to sell her land’s timber rights to a recently divorced businessman named David Hosmer. As the two begin to fall in love, Hosmer’s sawmill causes tension in an agrarian community unaccustomed to modern industry. Hosmer proposes to Thérèse, she is forced to consider the prospect of marriage against the opinion her community as well as her own moral and religious values, to set her personal desires aside in order to appease tradition. When Fanny, Hosmer’s alcoholic ex-wife, re-enters the picture, trouble ensues that threatens to ruin Lafirme’s reputation as an honest, hardworking woman. At Fault, like much of Chopin’s work, went largely unnoticed upon publication, but has since garnered critical acclaim as a work that explores the lived experiences of women and racial minorities during a period of political and economic upheaval. Both fictional and autobiographical—Chopin was a widow of French heritage who struggled to provide for her family following her husband’s death—At Fault is an underappreciated masterpiece of nineteenth-century literature.
With a beautifully designed cover and professionally typeset manuscript, this edition of Kate Chopin’s At Fault is a classic of American literature reimagined for modern readers.
Kate Chopin (1850-1904) was an American writer. Born in St. Louis, Missouri to a family with French and Irish ancestry, Chopin was raised Roman Catholic. An avid reader, Chopin graduated from Sacred Heart Convent in 1968 before marrying Oscar Chopin, with whom she moved to New Orleans in 1870. The two had six children before Oscar’s death in 1882, which left the family with extensive debts and forced Kate to take over her husband’s businesses, including the management of several plantations and a general store. In the early 1890s, back in St. Louis and suffering from depression, Chopin began writing short stories, articles, and translations for local newspapers and literary magazines. Although she achieved moderate critical acclaim for her second novel, The Awakening (1899)—now considered a classic of American literature and a pioneering work of feminist fiction—fame and success eluded her in her lifetime. In the years since her death, however, Chopin has been recognized as a leading author of her generation who captured with a visionary intensity the lives of Southern women, often of diverse or indeterminate racial background.