There is nothing in the universe the cursed dragon, Falcyn, hates more than humanity . . . except Greek humans. In a war he wanted no part of, they systematically destroyed everything he’d ever cared for. Now he waits for the day when evolution will finally rid him of the human vermin.
Medea was born the granddaughter of the Greek god Apollo, and among the first of his people that he cursed to die. But she will not let anyone rule her life. Not even her notorious grandfather. And when Apollo sends a new plague to destroy what remains of her people, she refuses to stand by and watch him take everything she loves from her again.
This time, she knows of a secret weapon that can stop the ancient god and his army of demons. Once and for all. However, said device is in the hands of a dragon who wants nothing to do with politics, the gods, humanity, demons or Apollites. And especially not her. He is the immovable object.
She is the unstoppable force . . .
When Apollo makes a strategic move that backfires, he forces Falcyn back into play. Now Medea either has the weapon she needs to save her people, or she’s unleashed total Armageddon. If she can’t find some way to control the dragon before it’s too late, Falcyn will be an even worse plague on the world than the one Apollo has set loose. But how can anyone control a demonic dragon whose sole birthright is world annihilation?
As a Grave Witch, Alex solves murders by raising the dead—an ability that comes at a cost, and after her last few cases, that cost is compounding. But her magic isn’t the only thing causing havoc in her life. While she’s always been on friendly terms with Death himself, things have recently become a whole lot more close and personal. Then there’s her sometime partner, agent Falin Andrews, who is under the glamour of the Winter Queen. To top everything off, her best friend has been forever changed by her time spent captive in Faerie.
But the personal takes a backseat to the professional when a string of suicides occur in Nekros City and Alex is hired to investigate. The shades have no memory of the days leading up to their brutal endings, so despite the very public apparent suicides, this is murder. But what kind of magic can overcome the human will to survive? And why do the shades lack the memory of their deaths? Searching for the answer might mean Alex won’t have a life to remember at all…