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A study of the Ku Klux Klan’s efforts to interact with American culture in the 1920s.
In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement.
Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture.
Praise for Ku Klux Kulture
“A superb piece of scholarship. . . . [Harcourt] is particularly good at showing how anti-Klan cultural productions helped legitimatize the Klan’s views.” —The New Republic
“An impressive work of archival history. . . . The book is essential reading, because it shows that, rather than a radical fringe group, the 1920s KKK was a central, well-respected part of white Protestant culture.” —The Forward
“An intriguing exploration of the rise and fall of the second iteration of the Ku Klux Klan. . . . Recommended.” —Choice
In popular understanding, the Ku Klux Klan is a hateful white supremacist organization. In Ku Klux Kulture, Felix Harcourt argues that in the 1920s the self-proclaimed Invisible Empire had an even wider significance as a cultural movement.
Ku Klux Kulture reveals the extent to which the KKK participated in and penetrated popular American culture, reaching far beyond its paying membership to become part of modern American society. The Klan owned radio stations, newspapers, and sports teams, and its members created popular films, pulp novels, music, and more. Harcourt shows how the Klan’s racist and nativist ideology became subsumed in sunnier popular portrayals of heroic vigilantism. In the process he challenges prevailing depictions of the 1920s, which may be best understood not as the Jazz Age or the Age of Prohibition, but as the Age of the Klan. Ku Klux Kulture gives us an unsettling glimpse into the past, arguing that the Klan did not die so much as melt into America’s prevailing culture.
Praise for Ku Klux Kulture
“A superb piece of scholarship. . . . [Harcourt] is particularly good at showing how anti-Klan cultural productions helped legitimatize the Klan’s views.” —The New Republic
“An impressive work of archival history. . . . The book is essential reading, because it shows that, rather than a radical fringe group, the 1920s KKK was a central, well-respected part of white Protestant culture.” —The Forward
“An intriguing exploration of the rise and fall of the second iteration of the Ku Klux Klan. . . . Recommended.” —Choice
Muallif haqida
Felix Harcourt is visiting assistant professor of history at Austin College. He is assistant editor of The Eleanor Roosevelt Papers: The Human Rights Years.
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