Last Girl Standing

Trina Robbins

avq 2017 · Fantagraphics Books

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Born on the cusp of WWII in 1938, at a time when other little girls dreamed of being nurses and secretaries, Trina Robbins’s ambition was to be a bohemian; and indeed she did. She chronicles a life of sex, drugs, rock ’n’ roll — and comics — in Last Girl Standing.

Robbins describes her upbringing in Queens, New York, reading comics through her childhood in the 1940s; visiting the EC offices and becoming part of SF fandom (dating Harlan Ellison at age 16); and posing nude for men’s magazines in the 1950s; living in the Village, over her own boutique where she made clothes for and interacted with rock royalty like David Crosby, Donovan, Cass Elliot; her close relationship with Paul Williams; entering the orbit of underground cartoonists like Art Spiegelman, R. Crumb, Vaughn Bodé, and Bill Griffith, when she started contributing comics to The East Village Other; and, in the ’70s, moving to San Francisco, contending with the phallocentric underground scene, marrying Kim Deitch, co-founding Wimmen’s Comix, and being invited into Felch Comics (she declined); her work for the National Lampoon, Marvel Comics, and Eclipse in the 1980s; and her crisis as a cartoonist and transformation into an historian and lecturer in the ’90s and 2000s.

From science fiction to the Sunset Strip, from New York’s underground newspapers to San Francisco’s underground comix: Trina Robbins broke the rules and broke the law. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones’s first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, this former Lady of the Canyon takes no prisoners in this heavily illustrated memoir.

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Comics her storian Trina Robbins (1939-2024) was an American cartoonist. She was an early participant and one of the first women in the underground comix movement. She co-produced the 1970 underground comic It Ain't Me, Babe, which was the first comic book entirely created by women. She co-founded the Wimmen's Comix collective, wrote for Wonder Woman, and produced adaptations of Dope and The Silver Metal Lover. She was inducted into the Will Eisner Hall of Fame in 2013 and received Eisner Awards in 2017 and 2021. As a scholar and historian, Robbins researched the history of women in cartooning. She wrote several nonfiction books including Pretty In Ink (2013), and Flapper Queens: Women Cartoonists of the Jazz Age (2020).