Alice Quentin is a psychologist with some painful family secrets, but she has a good job, a good-looking boyfriend, and excellent coping skills, even when that job includes evaluating a convicted killer who's about to be released from prison. One of the highlights of her day is going for a nice, long run around her beloved London—it's impossible to fret or feel guilty about your mother or brother when you're concentrating on your breathing—until she stumbles upon a dead body at a former graveyard for prostitutes, Crossbones Yard.
The dead woman's wounds are alarmingly similar to the signature style of Ray and Marie Benson, who tortured and killed thirteen women before they were caught and sent to jail. Five of their victims were never found. That was six years ago, and the last thing Alice wants to do is to enter the sordid world of the Bensons or anyone like them. But when the police ask for her help in building a psychological profile of the new murderer, she finds that the killer—and the danger to her and the people she cares about—may already be closer than she ever imagined.
With gripping suspense and a terrific new heroine, Kate Rhodes's Crossbones Yard introduces a powerful new voice in crime fiction.
Psychologist Alice Quentin swore she'd never get involved with police work again. Her duty is to the living, not the dead. But she owes Detective Don Burns a favor. He was the one who would sit for hours when the last case they worked on together had landed her in the hospital. That case had clearly taken its toll on him, and his career, too. So when he comes begging for help, how can she refuse?
In order to find the murderer, Alice and Detective Burns must dig deep into the toxic heart of one of the major financial centers in the world. A place where money means more than life, and no one can be counted innocent.
A Killing of Angels is the second book in Kate Rhodes' Alice Quentin Series.
But then a young girl is discovered, dressed all in white, on the steps of the Foundling Museum. Four girls have recently gone missing in North London—this is the third to be found, dead. The fourth may still be alive, and Alice Quentin may be able to help. Britain's most prolific child killer, Louis Kinsella, has been locked up in Northwood for over a decade. Yet, these recent kidnappings and murders are clearly connected to Kinsella's earlier crimes. It seems that someone is continuing where he left off. So, when Detective Don Burns comes asking for Alice's help, how can she refuse? Alice will do anything to help save a child—even if that means forming a relationship with a charismatic, ruthless murderer. But Kinsella is slow to give away his secrets, and time is running out for the latest kidnap victim, who is simply trying to survive. In her quest to save a life, Alice finds she has put her own life on the line.
The Winter Foundling is Kate Rhode's exciting thriller featuring Alice Quentin following Crossbones Yard and A Killing of Angels.
Kate Stanley, Jennifer Lee Carrell's dauntless Shakespearean scholarturned- director, made a memorable-and New York Times bestselling- debut in Interred with Their Bones. Having chased down her mentor's killer (and recovering one of Shakespeare's lost plays in the process), Kate's fame as a director with an expertise in "occult Shakespeare" catapults her-and Ben Pearl, her partner in crime-solving-into a new production of Macbeth, showcasing a fabled collection of objects relating both to the play and the historical Scottish king for whom it is named.
The Bard's witch-haunted play is famously cursed, its reputation for malevolence so strong that many actors refuse to quote or even name the play aloud. And as rehearsals begin at the foot of Scotland's Dunsinnan Hill, it doesn't take long for the curse to stir. Strange references to the boy actor who first played Lady Macbeth in Shakespeare's day-and died in the role-pop up. A trench atop Dunsinnan Hill is found filled with blood, and a severed human thumb turns up among the props. And Kate begins sleepwalking, waking early one morning alone atop the hill, her hands smeared with blood.
Kate has no memory of how she got there, but later that day a local woman is found dead on the hill in circumstances that suggest not just ritual murder but ancient pagan sacrifice. With the police more focused on Kate as a suspect than as a possible future victim, she and Ben find themselves in a desperate race to discover a lost version of Macbeth, said to contain rituals of witchcraft aimed at conjuring demonic forces to gain forbidden knowledge. However much Kate would like to dismiss such rituals as superstition, someone else appears willing to kill for them-and for the manuscript said to spell them out.
Marked for sacrifice, can Kate Stanley uncover the killer before she becomes the next victim?
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Max wins a coveted pre-trial interview with the killer, whose disarming composure in the face of her questions is combined with uncomfortable knowledge of Max's own past. She leaves the room convinced, but unable to prove, that Bachman knows exactly what happened to the missing couple. The D.A. wants nothing to jeopardize his case against Bachman and refuses to consider Max's theory. With no physical evidence, Max has to rely on her own wits and investigative prowess to dig deep into Bachman's past. The picture that Max puts together is far darker and more deadly than she ever imagined.
As Max gets closer to the truth, she doesn't realize that she's walking down a road that has been paved just for her. That every step she takes brings her one step closer to a brilliant, methodical sociopath who has been waiting for her to make just one small mistake.
And when she does, he'll be there waiting.
Max Revere returns in another gripping, pulse-pounding thriller from New York Times bestseller Allison Brennan.