Le Cubisme

· Parkstone International
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Les Demoiselles d’Avignon : cinq jeunes femmes qui marquèrent à jamais l’art moderne. Par ces visages vus à la fois de face et de profil, par ces corps anguleux dans lesquels les voluptueuses formes féminines ont disparu au profit de lignes asymétriques, Picasso révolutionna toute l'histoire de la peinture. Le cubisme naquit ainsi en 1907. En transformant les formes naturelles en cylindres et en cubes, les peintres cubistes comme Juan Gris ou Robert Delaunay, entraînés par Braque et Picasso, imposèrent une nouvelle vision du monde, en opposition totale avec les principes des impressionnistes. Largement diffusé en Europe, le cubisme se développa rapidement en phases successives, lesquelles menèrent l’histoire de l’art à toute la richesse du XXe siècle : du Futurisme de Boccioni à l’Abstraction de Kandinsky, du Suprématisme de Malevitch au Constructivisme de Tatline. En associant le texte fondateur de Guillaume Apollinaire à l’étude du Dr Eimert, cet ouvrage offre une nouvelle interprétation de ce moment crucial pour la modernité et permet de redécouvrir, au travers de leurs biographies, les principaux représentants du mouvement.

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Guillaume Apollinaire is one of the most widely read and influential of modern French poets. He was born either in Rome, where he was baptized, or in Monaco, where he was educated at the Lycee Saint-Charles. Quintessentially modern, his reputation rests principally on two volumes of poems-Alcools (1913) and Calligrammes (1918), which broke with the traditions of nineteenth-century poetry in both form and content. Apollinaire introduced free verse, eliminated punctuation, and even wrote poems in the form of pictures to express the dynamism of the new twentieth century. Apollinaire wrote novels, short stories, and plays as well as poetry. He wrote The Cubist Painters (1913), which first defined the nature of cubism. In addition, he edited for the Bibliotheque des Curieux erotic books of repute and helped to catalogue the repository of forbidden books in the Bibliotheque Nationale. He became the friend of great cubists, including Picasso and Braque. He died in the Spanish influenza epidemic of 1918.

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