Reading Louisa Meets Bear is like assembling a jigsaw puzzle, as we uncover the subtle and startling connections between new characters and the star-crossed lovers. We meet a daughter who stabs her mother when she learns the truth about her father, a wife who sees herself clearly after finding a man dead on her office floor, a mother who discovers a girl in her teenage son's bed. Each character is striking, each rendered with Gornick's trademark sympathy and psychological acuity. We follow them over the course of a half century, from San Francisco to New York City and from Guatemala to Venice, through pregnancies, tragedies, and revelations, until we return to Louisa and Bear.
With flawed and deeply human characters, and piercing insight into the lives of women, Louisa Meets Bear grapples with whether we can--or can't--choose how and whom we love.
The Peacock Feast opens on a June day in 1916 when Louis C. Tiffany, the eccentric glass genius, dynamites the breakwater at Laurelton Hall—his fantastical Oyster Bay mansion, with columns capped by brilliant ceramic blossoms and a smokestack hidden in a blue-banded minaret—so as to foil the town from reclaiming the beach for public use. The explosion shakes both the apple crate where Prudence, the daughter of Tiffany’s prized gardener, is sleeping and the rocks where Randall, her seven-year-old brother, is playing.
Nearly a century later, Prudence receives an unexpected visit at her New York apartment from Grace, a hospice nurse and the granddaughter of Randall, who Prudence never saw again after he left at age fourteen for California. The mementos Grace carries from her grandfather’s house stir Prudence’s long-repressed memories and bring her to a new understanding of the choices she made in work and love, and what she faces now in her final days.
Spanning the twentieth century and three continents, The Peacock Feast ricochets from Manhattan to San Francisco, from the decadent mansions of the Tiffany family to the death row of a Texas prison, and from the London consultation room of Anna Freud to a Mendocino commune. With psychological acuity and aching eloquence, Lisa Gornick has written a sweeping family drama, an exploration of the meaning of art and the art of dying, and an illuminating portrait of how our decisions reverberate across time and space.
But before that can happen, Maggie determines she must have her revenge.
This is the final--and in many ways the most accomplished--novel in James' illustrious career.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.