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From the 1910s to the emergence of structuralism and post-structuralism in the 1960s, the writings of John Grierson, Siegfried Kracauer, Andre Bazin and Georg Lukacs dominated realist film theory. In this critical anthology, the first collection to address their work in one volume, a wide range of international scholars explore the interconnections between their ideas and help generate new understandings of this important, if neglected, field. Challenging preconceptions about 'classical' theory and the nature of realist representation, and in the process demonstrating how this body of work can be seen as a cohesive theoretical model, this invaluable collection will help return the realist paradigm of film theory to the forefront of academic enquiry.
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Ian Aitken is Professor of Film Studies at the School of Communication, Hong Kong Baptist University. His most recent publications include Hong Kong Documentary Film (Edinburgh: EUP, 2014), and Lukácsian Film Theory and Cinema: An Analysis of Georg Lukács' Writings on Film 1913-1971 (Manchester and New York: Manchester University Press, 2012).
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