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This "innovative" poetry collection "uses text and image to explore the strangeness inherent in everyday experience" ( Publishers Weekly).
"I take seven photographs turning / in a circle, a panorama, / but how will I place them hanging / on a wall back home? Something already slipping," Kathryn Cowles writes. These poems surround a central question: how much of a moment is captured by the mechanisms we use to describe it? How much of the shore, the birds, the feeling? In pursuit of an answer, Cowles leads readers through a sequence of distinct landscapes (islands, plains, mountains, oceans), puzzling over and embracing the valley between literature and lived experience. Along the way, Cowles's language is light but recursive, rotating around beloved places: a new house, a garden, a seemingly endless plane ride, a battery-operated spit of lamb, a photograph of a battery-operated spit of lamb, dogs, Sue, Ohio. This collection defamiliarizes and refamiliarizes the "actual world," while navigating toward the clear and substantial stuff of living. Arresting on both visual and textual levels, Maps and Transcripts of the Ordinary World is a collection that lingers in memory and place, in the unsettled distance between reality and its transcriptions.
"Deftly shows that as we struggle to transform into language what we see and hear and feel, the results are inevitably incomplete; there's a gap between what we want to say and what we actually manage." — Library Journal
"The need to catalog, to document, and to mourn are all active forces in Cowles's poems . . . a work of grappling with the representational and the real and the thin boundaries between them." — Colorado Review
"I take seven photographs turning / in a circle, a panorama, / but how will I place them hanging / on a wall back home? Something already slipping," Kathryn Cowles writes. These poems surround a central question: how much of a moment is captured by the mechanisms we use to describe it? How much of the shore, the birds, the feeling? In pursuit of an answer, Cowles leads readers through a sequence of distinct landscapes (islands, plains, mountains, oceans), puzzling over and embracing the valley between literature and lived experience. Along the way, Cowles's language is light but recursive, rotating around beloved places: a new house, a garden, a seemingly endless plane ride, a battery-operated spit of lamb, a photograph of a battery-operated spit of lamb, dogs, Sue, Ohio. This collection defamiliarizes and refamiliarizes the "actual world," while navigating toward the clear and substantial stuff of living. Arresting on both visual and textual levels, Maps and Transcripts of the Ordinary World is a collection that lingers in memory and place, in the unsettled distance between reality and its transcriptions.
"Deftly shows that as we struggle to transform into language what we see and hear and feel, the results are inevitably incomplete; there's a gap between what we want to say and what we actually manage." — Library Journal
"The need to catalog, to document, and to mourn are all active forces in Cowles's poems . . . a work of grappling with the representational and the real and the thin boundaries between them." — Colorado Review
Kuhusu mwandishi
Kathryn Cowles is the author of Eleanor, Eleanor, not your real name, winner of the Dorothy Brunsman Poetry Prize. Her poems and poem-photograph hybrids have been published in the Georgia Review, New American Writing, Best American Experimental Writing, Verse, Free Verse, Colorado Review, Diagram, the Academy of American Poets Poem-a-day, and elsewhere. She earned her doctorate from the University of Utah and is an associate professor of English at Hobart and William Smith Colleges in the Finger Lakes region of New York.
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