Marcia Gay Harden is an actress of the stage, screen, and television. She is also an author, an advocate for Alzheimer’s research, a gardener, and a potter. She lives in Los Angeles and New York with her three children, two cats, and a dog. The fish stays in LA. Learn more from TheOfficialMarciaGayHarden.com and follow her on Twitter @MGH_8.
Robert Leleux's grandmother JoAnn was a steel magnolia, an elegant and devastatingly witty woman: quick-tongued, generous in her affections, but sometimes oddly indifferent to the emotions of those who most needed her. When JoAnn began exhibiting signs of Alzheimer's, she'd been estranged from her daughter, Robert's mother Jessica, for decades. As her disease progressed, JoAnn lost most of her memories, but she also forgot her old wounds and anger. She became a happy, gentler person who was finally able to reach out to her daughter in what became a strangely life-affirming experience, an unexpected blessing that gave a divided family a second chance.
The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades, and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion—and reached thirty before he began to discover the truth about her early life and long-buried pain.
In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned.
At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all- black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college—and most through graduate school. At age 65, she herself received a degree in social work from Temple University.
Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self- realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.
After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye—the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What’s Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin’s marriage to the sister of Berry Gordy, Motown’s founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship.
One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-‘80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love.
Primarily silent since Marvin’s tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history’s most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it’s like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today.