Marguerite de Valois

Alexandre Dumas

Eph 2014 · Kuthengiswe ngu-Simon and Schuster

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Queen Marguerite of Valois, sister of Charles IX and wife of Henry of Navarre, is surrounded by political and amorous intrigue during the Massacre of St. Bartholomew. The author, according to his custom, introduces a vast array of characters, for the most part historical, all spiritedly drawn and well sustained. M. Dumas may, in various respects, be held up as an example to our history spoilers, self-styled writers of historical romance, on this side the channel. One does not find him profaning public edifices by causing all sorts of absurdities to pass, and of twaddle to be spoken, within their precincts; neither does he make his kings and beggars, high-born dames and private soldiers, use the very same language, all equally tame, colorless, and devoid of character. The spirited and varied dialogue in which his romances abound, illustrates and brings out the qualities and characteristics of his actors, and is not used for the sole purpose of making a chapter out of what would be better told in a page. In many instances, indeed, it would be difficult for him to tell his story, by the barest narrative, in fewer words than he does by pithy and pointed dialogue.

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After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.