McTeague

Frank Norris

Ιουν 2012 · Courier Corporation

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An ignorant and ineffectual man, McTeague has established for himself a small, uneventful career as an unlicensed dentist; but his life changes after he meets and marries the lovely Trina. A winning lottery number temporarily enriches their lives — until Trina's ever-increasing lust for money arouses a latent brutish nature in her husband. Inspired by an actual crime sensationalized in the San Francisco press at the turn of the twentieth century, McTeague chronicles the demise of a charlatan and his wife as they descend into a web of moral corruption.
A literary sensation when first published in 1899, Frank Norris' cult classic was one of the earliest works in American literature to present a compelling, realistic view of human nature at its most basic level. It was also the the basis for Erich von Stroheim's groundbreaking 1924 silent film, Greed. A riveting tale of avarice, degeneration, and death, McTeague is "one of the great works of the modern American imagination" (Alfred Kazin).

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Considered one of the leading pioneers in American Naturalism, Frank Norris is read and studied for his vivid and honest depiction of life at the beginning of a lusty and developing new century. Born in Chicago, he moved to San Francisco with his well-to-do family when he was 14 and went on to attend the University of California and Harvard University before becoming a war correspondent in South Africa and Cuba. His early apprentice work consisted mostly of rather unremarkable adventure stories, but with the long-gestating McTeague: A Story of San Francisco (1899), he struck a new note. That powerful study of avarice in a seedy section of the Bay Area may well be Norris's masterpiece. The Octopus (1901), the first of Norris's projected Epic of the Wheat series, deals with the raising of wheat in California and the struggle of ranchers against the railroads, while The Pit (1903) is a novel about speculation on the Chicago wheat exchange. Unfortunately, Norris died suddenly after an operation for appendicitis. Like Stephen Crane, a writer with whom Norris is frequently compared, Norris died too young to fulfill his considerable promise, but he has more than held his own ground among turn-of-the-century writers whose works have lived. One reason may be that he took his craft as a writer seriously, as is shown by his posthumously published Responsibilities of the Novelist and Other Literary Essays (1903) and The Literary Criticism of Frank Norris, edited by Donald Pizer.