Podrobnosti o e‑knize
“A lively and nuanced look at gender roles as they have been revealed by the lives of concubines and mistresses over the centuries” (Kirkus).
She exists as both a fictional character and as a flesh-and-blood human being. But who is she, really? Why do women become mistresses, and what is it like to have a private life that is usually also a secret life? Is a mistress merely a wife-in-waiting, or is she the very definition of the emancipated, independent female?
Elizabeth Abbott intelligently examines the motives and morals of some of history's most infamous and fascinating women, from antiquity to today. Drawing intimate portraits of those who have—by chance, coercion, or choice—assumed this complex role, Mistresses offers a rich blend of personal biography and cultural insight.
“Ms. Abbott is delightfully indiscreet, with an eye for a good story and a colloquial style . . . She has done the ladies a service by bringing them out of the shadows.” —The Economist
She exists as both a fictional character and as a flesh-and-blood human being. But who is she, really? Why do women become mistresses, and what is it like to have a private life that is usually also a secret life? Is a mistress merely a wife-in-waiting, or is she the very definition of the emancipated, independent female?
Elizabeth Abbott intelligently examines the motives and morals of some of history's most infamous and fascinating women, from antiquity to today. Drawing intimate portraits of those who have—by chance, coercion, or choice—assumed this complex role, Mistresses offers a rich blend of personal biography and cultural insight.
“Ms. Abbott is delightfully indiscreet, with an eye for a good story and a colloquial style . . . She has done the ladies a service by bringing them out of the shadows.” —The Economist
O autorovi
Elizabeth Abbott is Research Associate at Trinity College, University of Toronto, and, from 1991 to 2004, was Dean of Women. She is the author of several books, including Sugar and Haiti. She lives in Toronto.
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