About this eBook
""Academia (n.): a profession filled with bad food, knee-jerk liberalism, and murder... Being a member of the House of Lords and Mistress of St Marthas College in Cambridge might seem enough to keep anyone busy, but Baroness (Jack) Troutbeck likes new challenges. When a combination of weddings, work, and spookery deprives her of five of her closest allies, she leaps at an invitation to become a Distinguished Visiting Professor on an American campus. With her head full of romantic fantasies inspired by 1950s Hollywood, and accompanied by Horace, her loquacious and disconcerting parrot, this intellectually-rigorous right-winger sets off from England blissfully unaware that academia in the United States is dominated by knee-jerk liberalism, contempt for Western civilization, and the institutionalisation of a form of insane political-correctness. Will the bonne viveuse Baroness Troutbeck be able to cope with the culinary and vinous desert that is New Paddington, Indiana? Can this insensitive and tactless human battering-ram defeat the thought-police who run Freeman State University like a gulag? Does she believe the late Provost was murdered? If so, what should she do about it? And will she manage to persuade Robert Amisswho describes himself bitterly as Watson to her Holmes and Goodwin to her Nero Wolfeto abandon his honeymoon and fly to her side?
About the author
Ruth Dudley Edwards is a historian and journalist as well as a mystery writer. The targets of her satirical crime novels include the gentlemen's clubs, Cambridge University, the House of Lords, journalism and literary prizes. The British Crime Writers' Association short-listed Corridors of Death for the John Creasy Award for best first novel, and Clubbed to Death and Ten Lords A-Leaping for their Last Laugh Award. She won the CrimeFest Last Laugh Award for Murdering Americans in 2008 and in 2010 the CWA Non-fiction Gold Dagger for Aftermath: the Omagh bombings and the families' pursuit of justice. Her twelfth mystery, Killing the Emperors, is a black comedy about conceptual art.
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