My Lady Ludlow: Top Novelist Focus
Acerca de este libro electrónico
I am an old woman now, and things are very different to what they were in my youth. Then we, who travelled, travelled in coaches, carrying six inside, and making a two days’ journey out of what people now go over in a couple of hours with a whizz and a flash, and a screaming whistle, enough to deafen one. Then letters came in but three times a week: indeed, in some places in Scotland where I have stayed when I was a girl, the post came in but once a month;—but letters were letters then; and we made great prizes of them, and read them and studied them like books. Now the post comes rattling in twice a day, bringing short jerky notes, some without beginning or end, but just a little sharp sentence, which well-bred folks would think too abrupt to be spoken. Well, well! they may all be improvements,—I dare say they are; but you will never meet with a Lady Ludlow in these days.
I will try and tell you about her. It is no story: it has, as I said, neither beginning, middle, nor end.
My father was a poor clergyman with a large family. My mother was always said to have good blood in her veins; and when she wanted to maintain her position with the people she was thrown among,—principally rich democratic manufacturers, all for liberty and the French Revolution,—she would put on a pair of ruffles, trimmed with real old English point, very much darned to be sure,—but which could not be bought new for love or money, as the art of making it was lost years before. These ruffles showed, as she said, that her ancestors had been Somebodies, when the grandfathers of the rich folk, who now looked down upon her, had been Nobodies,—if, indeed, they had any grandfathers at all.
Calificaciones y opiniones
Acerca del autor
Elizabeth Cleghorn Gaskell, née Stevenson (29 September 1810 — 12 November 1865), often referred to simply as Mrs Gaskell, was an English novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and are of interest to social historians as well as lovers of literature. Gaskell's The Life of Charlotte Bronte, published in 1857, was the first biography of that author.
On 30 August 1832 Elizabeth married a Unitarian minister, William Gaskell, in Knutsford. They spent their honeymoon in North Wales, staying with Elizabeth's uncle, Samuel Holland, near Porthmadog. The Gaskells then settled in Manchester, where William was the minister at Cross Street Unitarian Chapel. Manchester's industrial surroundings influenced Elizabeth's writing in the industrial genre. Their first child, a daughter, was stillborn in 1833. A son, William, (1844–45), died in infancy, and this tragedy was the catalyst for Gaskell's first novel, Mary Barton. Their other children were Marianne (1834), Margaret Emily, known as Meta (1837), Florence Elizabeth (1842), and Julia Bradford (1846). Florence married Charles Crompton, a barrister and Liberal politician, in 1863.
In March 1835 Mrs Gaskell began a diary, documenting the development of her daughter Marianne, her views of herself and William as parents, the value she gave to her role as a mother, her religious faith, and, later, the relationship between Marianne and her sister, Meta. In 1836 she co-authored with her husband a cycle of poems, Sketches among the Poor, which was published in Blackwood's Magazine in January 1837. In 1840 William Howitt published Visits to Remarkable Places containing a contribution entitled Clopton Hall by "A Lady", the first work written and published solely by Mrs Gaskell. In April 1840 Howitt published The Rural Life of England, which included her second work, Notes on Cheshire Customs.
In July 1841 the Gaskells travelled to Belgium and Germany, and German literature came to have a strong influence on her short stories. In 1847 she published her first work of fiction, Libbie Marsh's Three Eras, in Howitt's Journal, using the pseudonym "Cotton Mather Mills". Her next work, The Sexton's Hero, was published under the same pseudonym. She made her last use of the pseudonym in 1848, with the publication of her story Christmas Storms and Sunshine. Her first novel, Mary Barton, was published in October 1848.
In 1850 the Gaskells moved to a villa at 84 Plymouth Grove, where Elizabeth wrote her remaining literary works, while her husband held welfare committees and tutored the poor in his study. The Gaskells' social circle included writers, religious dissenters and social reformers such as William and Mary Howitt. Charles Dickens and John Ruskin visited Plymouth Grove, as did the American writers Harriet Beecher Stowe and Charles Eliot Norton, while the conductor Charles Hallé, who lived close by, taught piano to one of their daughters. Her close friend Charlotte Brontë stayed there three times, and on one occasion hid behind the drawing room curtains as she was too shy to meet the Gaskells' other visitors.
In early 1850 Mrs Gaskell wrote to Charles Dickens asking for advice about assisting a girl named Pasley whom she had visited in prison. Pasley provided her with a model for the title character of Ruth in 1853. Lizzie Leigh was published in March and April 1850, in the first numbers of Dickens's journal Household Words, in which many of her works were to be published, including Cranford and North and South, her novella My Lady Ludlow, and short stories.
