Mystery Villa

E.R. Punshon

kesä 2015 · Dean Street Press

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Description Con Conway, the notorious cat burglar, was not the kind of person to be scared out of his wits for nothing. So it seemed odd to Sergeant Bobby Owen, when he met Con quite by chance rushing, terrified, along a road in the Brush Hill district just before midnight. Afterwards he investigated the house where it seemed Conway had been, yet there was nothing, not a shred of evidence to suggest that swag had been hidden there or taken from there. It was a strange place, Tudor Lodge; it had an eerie atmosphere and disturbing associations. Twice Sergeant Owen returned to look it over but all he encountered was a very pretty and very frightened girl. Finally he found in the house a murdered man - murdered years ago. Yet still he could not make out why Conway had been quite so frightened - until he went to work in earnest on the job. Mystery Villa is the fourth of E.R. Punshon's acclaimed Bobby Owen mysteries, first published in 1934 and part of a series which eventually spanned thirty-five novels. This edition features a new introduction by crime fiction historian Curtis Evans. "What is distinction? The few who achieve it step - plot or no plot - unquestioned into the first rank. We recognized it in Sherlock Holmes, and in Trent's Last Case, in The Mystery of the Villa Rose, in the Father Brown stories and in the works of Mr. E.R. Punshon we salute it every time." Dorothy L. Sayers

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Ernest Robertson Punshon (1872-1956) was an English playwright who created a series detective, graduate police officer Bobby Owen. He also wrote as H Robertson Halkett. ER Punshon is one of the most shamefully neglected writers of detective fiction. His ability to construct labyrinthine plots that keep the reader fascinated but not confused is rivalled only by John Dickson Carr, with whom he shares a powerful imagination, a gift of conveying atmosphere and setting, and a most ingeniously fertile mind, adept at devising clues and situations. Yet his work is not only exemplary detective fiction, but studies of character, of the catalyst that drives an ordinary human being to commit the ultimate crime. In their emphasis on bizarre psychology, fantastic (but logical and convincing) plots, and the ability of the past to influence the present (whether it be in the form of past crimes or literary or artistic treasures), his work resembles a combination of H.C. Bailey, Gladys Mitchell, G.K. Chesterton and Michael Innes.