A little girl called Alice. A deaf-mute. A vision. A lady in shimmering white who says she is the immaculate conception. And Alice can suddenly hear and speak, and she can perform miracles. Soon the site of the visitation, beneath an ancient oak tree, has become a shrine, a holy place for thousands of pilgrims. But Alice is no longer the guileless child overwhelmed by her new saintliness. She has become the agent of something corrupt, a vile force that is centuries old. Innocence and evil have become one.
Only when Lieutenant Larry Foggia is assigned to the case does the true horror of the killer's motive come to light.
A ritual killer – nicknamed 'Satan' – stalks the city, killing in terrible ways with no apparent motive. Enter Lieutenant Foggia who, assisted by a spiritualist medium, must discover the reason for the slayings. But the truth he unearths is beyond anything he's encountered in the real world – for the killings are paving the way for a force so powerful that the lives of a few innocents will appear unimportant in comparison...
Featuring several of Masterton's favourite themes, such as spiritualism and demonology, Black Angel moves at a fast pace from the stomach-churning opening to the exciting final confrontation between man and demon.
'One of the most original and frightening storytellers of our time' PETER JAMES.
'A true master of horror' JAMES HERBERT.
“Good Omens . . . is something like what would have happened if Thomas Pynchon, Tom Robbins and Don DeLillo had collaborated. Lots of literary inventiveness in the plotting and chunks of very good writing and characterization. It’s a wow. It would make one hell of a movie. Or a heavenly one. Take your pick.”—Washington Post
According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner.
So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan. Except a somewhat fussy angel and a fast-living demon—both of whom have lived amongst Earth's mortals since The Beginning and have grown rather fond of the lifestyle—are not actually looking forward to the coming Rapture.
And someone seems to have misplaced the Antichrist . . .
This book began as an expansion of my essay, "H. P. Lovecraft: The Decline of the West," in The Weird Tale, but very quickly became something quite different, to the degree that the two works have little save the title in common. I have always been interested in Lovecraft the philosopher, and in my Starmont Reader’s Guide to Lovecraft (1982) I attempted a very compressed account of his philosophical views. To treat so complex a thinker as Lovecraft in a few pages was obviously untenable, even though I think those few pages at least convey the unity of his thought -- perhaps better than this fuller study does. One reviewer, however, was correct in noting that I did not sufficiently integrate Lovecraft’s thought and his fiction, and I have now attempted to remedy the failing.
I am still not convinced that I have really written one rather than two books here. Does Lovecraft’s fiction really depend upon his philosophy? I wrestle with this question further in my introduction, but here I can note that I had great difficulty deciding upon the proper structure for this book. I deal with four principal facets of Lovecraft's philosophy -- metaphysics, ethics, aesthetics, and politics -- in Part I, and those same facets as applied to the fiction in Part II. It might have made more sense to juxtapose the corresponding chapters of each part, but I finally determined that this would be both methodologically and practically unsound; methodologically for reasons explained in the introduction, and practically because it would fail to demonstrate the interconnectedness of Lovecraft’s thought and because in Part II I frequently rely upon conceptions expressed throughout the whole of Part I.
In Part I, the author deals with four principal facets of Lovecraft's philosophy: metaphysics, ethics, aesthetics, and politics. In Part II, he studies those same facets as applied to the fiction.
Whoever is born here, is doomed to stay 'til death. Whoever settles, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear.
The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town's teenagers decide to break their strict regulations and go viral with the haunting. But, in so doing, they send the town spiraling into dark, medieval practices of the distant past.
This chilling novel heralds the arrival of an exciting new voice in mainstream horror and dark fantasy.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.