Night and Day (夜與日)

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"Night and Day" was Virginia Woolf's second novel and it has been overlooked by critics and readers in favor of her more experimental works. It is important for its treatment of women and modernity, in the city, in politics and in the workplace. It is a novel about social transition. Set before the First World War, but written after the war, Woolf hints at the sense of chaos and relativism which the war will bring about.

The novel looks backwards as well as forwards. Katharine and her mother are engaged in the seemingly never-ending project of writing the biography of poet Richard Alardyce, Katharine's maternal grandfather. Woolf depicts the Victorian fetish for great men. As Ralph Denham, Katharine's eventual fiance, says, "I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." His middle-class family in Highgate boasts no such great figures, and the cross-class relationship between Ralph and Katharine is a sign of the novel's modernity.

Katherine is harnessed to a "great" man, taught to remember her own insignificance in the face of his greatness. "One finds them [the Alardyces] at the tops of professions, with letters after their names; they sit in luxurious public offices, with private secretaries attached to them; they write solid books in dark covers, issued by the presses of the two great universities, and when one of them dies the chances are that another of them writes his biography." "They" are, of course, all men, and Woolf here launches an attack on the perpetuation of privilege through the patriarchal institutions which she would analye in" A Room of One's Own" and "Three Guineas."

"(Adeline) Virginia Woolf (1882 - 1941) was an English novelist and essayist, and regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs. Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the booklength essay A Room of One's Own (1929), with its famous dictum, "a woman must have money and a room of her own if she is to write fiction."

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Virginia Woolf was born in London, the daughter of the prominent literary critic Leslie Stephen. She never received a formal university education; her early education was obtained at home through her parents and governesses. After death of her father in 1904, her family moved to Bloomsbury, where they formed the nucleus of the Bloomsbury Group, a circle of philosophers, writers and artists. As a writer, Woolf was a great experimenter. She scorned the traditional narrative form and turned to expressionism as a means of telling her story. Mrs. Dalloway (1925) and To The Lighthouse (1927), her two generally acknowledged masterpieces, are stream-of-consciousness novels in which most of the action and conflict occur beneath a surface of social decorum. Mrs. Dalloway, set in London shortly after the end of World War I, takes place on a summer's day of no particular significance, except that intense emotion, insanity, and death intrude.To the Lighthouse's long first and third sections, each of which concerns one day 10 years apart, of the same family's summer holidays, are separated and connected by a lyrical short section during which the war occurs, several members of the family die, and decay and corruption run rampant. Orlando (1928) is the chronological life story of a person who begins as an Elizabethan gentleman and ends as a lady of the twentieth century; Woolf's friend, Victoria Sackville-West, served as the principal model for the multiple personalities. (The book was made into a movie in 1993.) Flush (1933) is a dog's soliloquy that, by indirection, recounts the love story of Robert Browning and Elizabeth Barrett Browning and their elopement and life in Florence. Her last short novel, Between the Acts (1941), was left without her final revision, but it is, nonetheless, a major representation of a society on the verge of collapse. Having had periods of depression throughout her life and fearing a final mental breakdown from which she might not recover, Woolf drowned herself in 1941. Her husband published part of her farewell letter to deny that she had taken her life because she could not face the terrible times of war. Leonard Woolf also edited A Writer's Diary (1953), which provides valuable insights into his wife's private thoughts and literary development. Equally informative are his own autobiographies, particularly Beginning Again and Downhill All the Way (1967), and The Letters of Virginia Woolf and Lytton Strachey. Virginia Woolf's Granite and Rainbow contains 27 essays on the art of fiction and biography. There are many sidelights on Woolf in the writings, letters, and biographies of other members of her Bloomsbury circle, such as Roger Fry, John Maynard Keynes (see Vol. 3), and Lytton Strachey (see Vol. 3). Also casting much light on her life, thought, and creative processes are The Common Reader (1925), The Second Common Reader (1933), A Room of One's Own (1929), Three Guineas (1938), The Captain's Death Bed and Other Essays, The Death of the Moth and Other Essays (1942), and various collections of her autobiographical writings, diaries, and letters. In addition, in recent years there has been a veritable industry of writers dealing with Woolf and her work.

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