Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia

Peter Pomerantsev

nov. del 2014 · Venut per PublicAffairs

Sobre aquest llibre

A journey into the glittering, surreal heart of 21st century Russia, where even dictatorship is a reality show

Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the wild and bizarre heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship-far subtler than twentieth-century strains-that is rapidly rising to challenge the West.

When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system.

Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.

Sobre l'autor

Peter Pomerantsev is a Visiting Senior Fellow at the Institute of Global Affairs at the London School of Economics, an author and TV producer. He studies propaganda and media development, and has testified on the challenges of information war to the US House Foreign Affairs Committee, US Senate Foreign Relations Committee and the UK Parliament Defense Select Committee. He writes for publications including Granta, the Atlantic, Financial Times, London Review of Books, Politico, and many others. His first book, Nothing is True and Everything is Possible, won the 2016 Royal Society of Literature Ondaatje Prize, was nominated for the Samuel Johnson, Guardian First Book, Pushkin House and Gordon Burns Prizes. It is translated into over a dozen languages.